Results 1 - 30 of 33
Project Persons Year Tags
Analogue Interaction (EcoLogicStudio) 2010 biosphere, visualitzation, natural resources, architecture, landscapes, politics, society, environment, energy, data, Venice Biennale
ecoLogicStudio’s installation for AILATI 2010 has been developed in collaboration with the Global Footprint Network group. We aren’t surprised to discover, through data, that the world is going towards a continuous increase of consumption of resources in relation to the biosphere’s capacity. Nevertheless we are wondering, which processes and stories could define this tendency and which are the relations between debtor countries and creditor ones? Most of the political choices today are based on data and graphics shown in these images; how can the single citizen take part in these decisions while interacting with his daily processes, his histories and his inventions? Can technology act as an intermediary, generating devices that link city, architecture and landscape with politics, society and environment? The “ECO-FOOTPRINT DATA GROTTO MACHINE” focuses on the representation in a relational architectonic system, parametrically designed, of the ecological footprint data.
Autostadt Mobiglobe Touchscreen installation Hosoya Schaefer Architects (shiftcontrol studio) 2006 economics, culture, flash, data, statistics, interaction, design, interface, mobility, research, information
The project shows in encyclopaedic breadth topics that define contemporary mobility. The topics are organized in three large chapters (culture, economy and system) and twelve themes ranging from mobile space to fuel. Each theme again is examined in the scale of the car, the region, the world and time. Throughout the themes, the project intends to show the link between individual experience and global effects.
Biomodd Maribor Diego Maranan 2010 technology, ecology, workshop, art, computers, recycling, plants, algae, new media
Biomodd is an art project that integrates cross-cultural dialogue, ecology and technology while encouraging innovative collaboration. I and artist, scientist, and TED Fellow Angelo Vermeulen led a Biomodd workshop as part of the KIBLIX Festival and theInternational Computer Arts Festival in Maribor, Slovenia, from November 18th to the 28th, 2010. The workshop resulted in an installation piece which was exhibited at KIBLA until mid-December. Over the course of ten days, we disassembled old computers, tested computer components, installed Ubuntu (or in the case of some really old motherboards, Xubuntu) on them, designed and built different structures that incorporated plants and computers together, troubleshot algae, and met up and had long discussions with other new media artists participating in the festival.
Blowup: Wild Things Several Authors (V2_) 2011 insects, communication, seminar, book, animals, design, art
The first edition of Blowup will examine art and design projects that are created with animals in mind as the end users and active participants – not people. This evening event will feature three leading practitioners discussing their work that is created for animals to appreciate and actively use. The speakers will address how their work can instill greater empathy for animals in us, and what they think the animals' experience of the art actually is.
BuyProduct Nitipak Samsen 2009 architecture, design, trees, environment, Dot Samsen, visualization, product, global warming, CO2, project
Carbon credit brings the ‘convenience’ back to the ‘inconvenient truth’. Global warming has been driven by capitalism, now we are trying to solve global warming through capitalism. Is this possible? Should we save the planet for the planet’s sake or for money? From an ecological perspective, CO2 is a byproduct of the living, either directly or indirectly. From the economic perspective, CO2 may become the world's largest commodity market. What do we consider the price of our own byproducts? This project aims to criticise the carbon trading system as well as raise awareness of how good we are at destroying the planet. One problem is how to show the intangible amount of CO2. BreathSink is one simple way of visualization carbon footprint. BreathSink is dry timber which has same CO2 as 1 day of breathing. However, in term of design, what is the function of this BreathSink?
Christien Meindertsma Web Page Christien Meindertsma portfolio, artist, inspiration, product, books, knitting, raw materials, life of products, industry, global world, art, design
Christien Meindertsma explores the life of products and raw materials. For her first book, Checked Baggage (2004), Christien purchased a container filled with a week's worth of objects confiscated at security checkpoints in Schiphol Airport after 9/11. She meticulously categorized all 3267 items and photographed them on a white seamless background. Christien’s second book, PIG 05049 (2007), is an extensive collection of photographic images that documents an astounding array of products that different parts of an anonymous pig called 05049 could support. With this book, Christien reveals lines that link raw materials with producers, products and consumers that have become so invisible in an increasingly globalized world.
Christopher Leung Web Christopher Leung wax, thermal performance, deployable shutters, heat motors, design, buildings, solar energy, energy, architecture, research
A website about research in the field of Architecture. I have been exploring novel ways to passively harvest energy from around buildings with devices and mechanisms and finding ways to make it do useful work, this website is about that ongoing exploration. This is a research topic where there is an opportunity to gain because the principal energy resource is the sun which is completely free. A measure of success in this area is to balance the available energy from ambient resources with the possibility for buildings that respond to the dynamic changes in their surrounding environment. This is a research topic that is as much about observation of what there is to be harvested as creative thinking about matching it in time and place with the design of buildings. I think that this can be achieved in effective but subtle ways in the passive design of building enclosures, and this is a research topic that has been explored through doing design projects to demonstrate this. Please explore
Cinema For Primates Rachel Mayeri 2011 cinema, primates, science, psicology, artwork, animals, tests, project, zoo, biology, zoology
Cinema for Primates is a series of videos designed and presented for chimpanzees at Edinburgh Zoo. Chimpanzees in captivity are shown television as a form of enrichment, but no artists have made videos expressly for chimps. After showing a series of test videos to the chimps to learn their preferences, the artist will script and produce a synthetic chimpanzee drama. The video will be installed at the zoo, so that both human and non-human primates can simultaneously watch the show and each other’s responses to it. The project is intended to imagine the inner world of the captive chimpanzee, producing an original artwork—enrichment for humans and chimpanzees.
CyberGarden v4 AltN Research+Design (EcoLogicStudio) 2011 antibiotics, digital, model, robotics, ecosystem, environment, bacteria, gardening, sensors, electronic medium, biology, information, project
CyberGarden is an ongoing research project developed by Ecologic Studio. This project represents the 4th iteration and exists as a multilayered, intelligent system that passes information between these layers via material, electronic and biological information. It utilizes a network of radiation sensors and connected to custom designed and programmed robotic arms and a parametric digital model. The physical prototype and digital model engage in a generative dialogue and co-evolve over the course of each exhibition. The petri dish components are made of translucent perspex and when added to the physical model cause a change in the lighting filed. This in turn will affect the digital plan and triggers the emergence of other gardening components to be designed, cut and added on.
Extreme Green Guerrillas Michiko Nitta 2007 green guerrilla, migration systems, communication, food, euthanasia, community
We are forced to face the reality on a daily basis that environmental damage is more advanced than experts predicted. As global warming becomes the top of almost every government's agenda, recent trends have put pressure on world leaders to act immediately: for instance, forced recycling, carbon offsetting and a 10-year campaign to make environmentally friendly living fashionable. Are these efforts really improving the environment? are these activities saving the earth? what is eco-friendly living? when we live in a period where the worlds climate disaster is about to happen, how can we live the ultimate green lifestyle? The project takes current green trends to the extreme by proposing a community of people called "Extreme Green Guerrillas". This project fell into three design proposals, which explore their lifestyles and systems they use to enjoy their lives: Communication, Feast and Death.
International_Ocean_Station Several Authors (Open_Sailing) innovation, sustainability, future, project, prototype, lab, oil spills, renewable energy, environment, eecology, open sourc, open hardware, society, ocean, research, sailing, technology, opensource
We're developing open-source technologies to explore and study the oceans. Join us in designing, testing and building the International Ocean Station!
Jae Rhim Lee Web Jae Rhim Lee environment, wearables, diy, design, artist, multi-disciplinary, public art, intervention, death, recycling
Jae Rhim Lee is a visual artist, designer, and researcher whose work proposes unorthodox relationships between the mind/body/self and the built and natural environment. Jae Rhim’s work follows a research methodology which includes self-examination, transdisciplinary immersion and dialogue, and diy design, ultimately taking the form of living units, furniture, wearables, recycling systems, and personal and social interventions.
Laboratory for Visionary Architecture Chris Bosse, Tobias Wallisser and Alexander Rieck ([LAVA] ) 2007 architecture, technologie, nature, pollution, environtment, responsible future, intelligent systems, skins, materials, reacting environments
Chris Bosse, Tobias Wallisser and Alexander Rieck founded the Laboratory for Visionary Architecture [LAVA] in 2007. It was established as a network of creative minds with a research and design focus and has offices in Sydney, Shanghai, Stuttgart and Abu Dhabi. LAVA explores frontiers that merge future technologies with the patterns of organisation found in nature and believes this will result in a smarter, friendlier, more socially and environmentally responsible future. The potential for naturally evolving systems such as snowflakes, spider webs and soap bubbles for new building typologies and structures has continued to fascinate LAVA – the geometries in nature create both efficiency and beauty. But above all the human is the centre of their investigations.
N55 Ion Sørvin 1994 communication, society, lifestyle, land, alternative economy, education, architecture, environment, P2P-Design, art
N55 is a platform for persons who wants to work together, share places to live, economy, and means of production. N55 is based both in Copenhagen, and in LAND.
Natural Fuse Husman Haque 2009 game theory, community, architecture, technology, diy design, CO2, environment, energy, electricity, plants, research, design
"Natural fuse" is a micro-scale carbon dioxide overload protection framework that works locally and globally, harnessing the carbon-sinking capabilities of plants. Generating electricity to power the electronic products that populate our lives has consequences on the amount of carbon dioxide present in the atmosphere, which in turn has detrimental environmental effects. The carbon footprint of the power used to run these devices can be offset by the natural carbon-capturing processes that occur as plants absorb carbon dioxide and grow. "Natural Fuse" units take advantage of this phenomena. They are now distributed in households in London, New York and San Sebastian.
Natural Resilience Catherine Verpoort (Textile Futures) 2012 project, design, resilience, biology, textiles, materials
The project is inspired by nature’s ability to process and conquer even artificial materials and surfaces in order to sustain and enforce itself. Nature’s immense strength and power is accompanied by an aesthetic that indicates a peaceful progression of time. The emergence of moss, fungi and plants, as well as their disappearing, brings life into the inanimate materials and objects. The project explores how we can design materials that respond to nature and its resilience.
Open Columns Omar Khan et al. ( University at Buffalo) architecture, structures, responsive environment, CO2, self-organization, systems, complexity, emergence, adaptability, resilience, nonlinearity, materials, technology, augmented materials
Open Columns is a system of nonstructural columns, made from composite urethane elastomers and can be deployed in a variety of patterns to reconfigure the space beneath them. The system is a mutable architecture that responds to its inhabitants by changing its shape based upon the carbon dioxide (CO2) content in the air. It is capable of learning about its environment by directly acting within it. The genesis of this research and design comes out of an interest in self-organizing systems, which exhibit phenomena of nonlinearity, instability and adaptability. Open Columns is part of a research project exploring computationally inspired and augmented materials for responsive architecture.
Oxygen Curtain Mae Shaban (RAD: Responsive Architecture at Daniels) 2011 air refreshing, autonomy, organisms, environment, water, sensors, CO2, project, nutrients, algae, bioreactor, plant, carbon, oxygen, design
The curtain integrates an efficient organic living carbon sink into an interior space. The curtain produces an amount of oxygen equivalent to a mature broad leaved tree – it is a dramatically enhanced house plant. The curtain is composed of an array of algae bioreactors. A network of indoor air, power and nutrient supply lines weave the bioreactors into a single membrane. The nutrients are supplied by the building’s waste water. The curtain is nourished by the CO2 from the exhalation of the inhabitants. It is directly responsive to the users and the environment; each module operates autonomously and sensors activate select modules as appropriate to the changing levels of CO2 within a space. The modules then expand and contract with circulating air revealing a mechanic-organic organism that is continuously refreshing the air.
Pigeon d'Or Tuur Van Balen 2011 metabolism, city, urban, pigeons, biotechnology, environment, synthetic biology, bacteria, aestethics, design biology
The city is a vast and incredibly complex metabolism in which the human species is the tiniest of fractions; tiny and yet intrinsically linked into an organic embroidery beyond our understanding. It is within this complex fabric that (future) biotechnologies will end up. Pigeon d’Or proposes the use of feral pigeons as a platform and interface for synthetic biology in an urban environment by attempting to make a pigeon defecate soap. By modifying the metabolism of pigeons, synthetic biology allows us to add new functionality to what are commonly seen as “flying rats.” A special bacteria has been designed and created that, when fed to pigeons, turns feces into detergent and is as harmless to pigeons as yoghurt is to humans. Through the pursuit of manipulating pigeon excrement and designing appropriate architectural interfaces, the project explores the ethical, political, practical and aesthetic consequences of designing biology.
Protei Cesar Harada et al (V2_) 2011 environmentalism, open source, open hardware, drone, renewable energy, oil spills, gulf mexico
Protei is an oil spill cleaning machine. Protei is a family of unmanned robots (drone) that sails. It is articulated and some versions are inflatable. Oil drifts downwind, so Protei need to be able to sail upwind to capture more oil. Protei is an innovation using conventional technologies, it is therefore immediately possible to build it at a low cost with conventional materials. Protei is developed Open hardware, so everybody can use, modify and distribute our designs. Besides oil spill cleaning many other applications are envisoned for this revolutionary drone.
Pulser pump Brain White 2010 water pump, water, oil, air, energy, ecology, environment, diy
The pulser pump is a simple, water powered mechanical device, also known as a bubble pump. Components of this pump have been used for various purposes, including the extraction of oil or in refrigeration cycles. Heat driven bubble pumps are most common, but this particular design of a pulser pump using the turbulent flow in a stream to trap air has yet to become common. The two main benefits of this pump are that it has no mechanical or moving parts, and that it doesn't use any chemicals, only the water from a stream. Once installed near a stream, the pump can lift water using only the energy from the stream.
Radical - Nature Art and Architecture for a Changing Planet 1969–2009 Several Authors (Barbican) 2009 city, planet, urbanism, climate change, ecology, exhibition, artists, environment, design, architecture, nature, art
The beauty and wonder of nature have provided inspiration for artists and architects for centuries. Since the 1960s, the increasingly evident degradation of the natural world and the effects of climate change have brought a new urgency to their responses. Radical Nature is the first exhibition to bring together key figures across different generations who have created utopian works and inspiring solutions for our ever-changing planet. Radical Nature draws on ideas that have emerged out of Land Art, environmental activism, experimental architecture and utopianism. The exhibition is designed as one fantastical landscape, with each piece introducing into the gallery space a dramatic portion of nature. Work by pioneering figures such as the architectural collective Ant Farm and visionary architect Richard Buckminster Fuller, artists Joseph Beuys, Agnes Denes, Hans Haacke and Robert Smithson are shown alongside pieces by a younger generation of practitioners.
Reveal-it! Nina Valkanova et al. 2011 visualization, energy, urban, data, community, intervention, design, interaction, sustainability, awareness
On-going research project. The project “Reveal-it!” envisions the idea of revealing on-site data about the citizens’ consumption processes and its interrelations with energy-related infrastructures publicly in urban communities. It proposes a participatory intervention for interactively discovering and visualizing this data via public projection on urban surfaces. Images of real-world deployments and design process can be seen in our Flickr set.
SUN-D Jonas Burki 1991 sunlight, information, design, technology, aestethics, screen, nature, symbiosis
SUN-D’s look like LED screens, but they’re anything but that. They’re powered by daylight or distinct light sources. They interact with their immediate environment. It’s an aesthetic fusion of information and lighting design. SUN_D depicts information via sunlight and extant natural light sources. To counteract the general sensory overload due to digital media that frequently put a real strain on users, we intentionally work with a way of depicting graphics whose naturally engendered glow is quite pleasant for the human eye to behold.
Super Kingdom : Monarchy Jo Joelson,Bruce Gilchrist,Dugal McKinnon (London Fieldworks) 2010 biology, animals, architecture, environment, territory, displacement, urban, growth, conservation, population
SUPER KINGDOM can be viewed as a social engineering experiment for animals - a new community in the making referencing despot's palaces, gated community developments such as Alphaville in Brazil and the fortified exclusivity afforded to the wealthy and super-rich - all designed to keep urban reality at bay. CONTEXT Super Kingdom is a reference to both the utopian imaginary and biological taxonomic hierarchy and is a sculptural installation of animal 'show homes' in a woodland environment, based on the architecture of despot's palaces. It reflects both human and animal hierarchy as territorial relationship to landscape; is informed by changing habitat, the displacement of animals as a consequence of urban development and conservationist strategy, and global concerns about fluid populations and porous borders.
Surface Tension Several Authors (Science Gallery) 2011 water, future, artists, exhibition, natural resources, sustainability, environment, science, engineering, politics
The future of water is the subject of tension. Water is both disposable and sacred, a muse for artists and a necessity for life – a source of healing and of conflict. The Earth has abundant water, but only a very small proportion is available for human use. How should this be managed and sustained, and what would a water-scarce future look like? SURFACE TENSION brings together work by artists, designers, engineers and scientists to explore the future of water, playing on its physical properties, its role in politics and economics, and ways in which it may be harnessed, cleaned, and distributed.
SymbioticA Several Authors (The University of Western Australia) research, bio art, biology, biotechnology, design, education, laboratory, science, art
SymbioticA is the first research laboratory of its kind, enabling artists and researchers to engage in wet biology practices in a biological science department. It also hosts residents, workshops, exhibitions and symposiums. With an emphasis on experiential practice, SymbioticA encourages better understanding and articulation of cultural ideas around scientific knowledge and informed critique of the ethical and cultural issues of life manipulation. The Centre offers a new means of artistic inquiry where artists actively use the tools and technologies of science, not just to comment about them but also to explore their possibilities.
TechnoMorphica Several Authors (V2_) 1997 book, essays, design, phylosophy, semiotics, intelligence, life, parasites, cyborg, science, evolution, biology, technology
Will technomorphization – the reorganization of the organic based on the intelligent machine model – become the dominant process of our age? Has evolution entered a technological scientific phase in which humans no longer develop in natural ways, in which the human body instead adapts itself to the parameters of a technological era? In this book, fourteen internationally acclaimed authors give their views on this blurring of borders and the fusion of the biological with the technological. It offers ideas on angels and robots, viruses and mad cows, a world where machines are anthromorphized and humans technomorphized. If the glare of our monitors is all that illuminates us, is it time to build a museum for the sun?
The Enteric Consciousness Ken Rinaldo 2010 technology, design, interactive, visualization, installation, robots, biology, organisms, culture, robotics, art
Enteric Consciousness 2010 is a large robotic tongue controlled by an artificial stomach filled with the living bacteria Lactobacillus Acidophulus. The artificial stomach in this installation controls and activates the robotic tongue. If the bacteria within the stomach is healthy and reproducing, then robotic tongue-chair senses the presence of the viewer/interactant reclines and delivers a deluxe 15 minute massage. When the interactant leaves the chair the robot tongue returns to an upright position. The Enteric Consciousness is a commission from the Maison d'Aillieur in Switzerland in 2010 for the Do Robots Dream of Spring retrospective exhibition.
The Toaster Project Thomas Thwaites (V2_) 2009 culture, economics, manufacturing, project, toaster, ecology, raw materials, sustainability, natural resources, hardware, design, technology, art
I'm Thomas Thwaites and I'm trying to build a toaster, from scratch - beginning by mining the raw materials and ending with a product that Argos sells for only £3.99. A toaster.