Results 1 - 13 of 13
Project Persons Year Tags
Flock House Project Several Authors 2011 project, migration, self-suficience, urban, architecture, habitats, resilience, houses, energy, agriculture, community, politics, autonomous, natural resources, economics, new paradigm, ecosystem, open culture
The Flock House Project is a group of self-contained ecosystems migrating around New York City's five boroughs. What if mobile, self-sufficient living units were the building blocks for future cities? By reflecting the future of urban space and building off of what is already there, Flock House is a group of migratory, public, sculptural habitats that are movable and modular with the ability to merge. In a time when growing urban populations are faced with environmental, political, and economic instability, and when dislocation and relocation is important to consider and reconcile, Flock Houses are choreographed throughout urban centers in the United States and three planes of living (subterranean, ground, and sky).
Hydramax (FUTURE CITIES LAB) 2012 garden, architecture, buildings, landscape, infrastructure, machine, sensors, robotics, air, solar energy, intelligent buildings, community, water parks, sea, water, urban
Future Cities Lab’s HYDRAMAX Port Machines project proposes a radical rethinking of San Francisco’s urban waterfront post sea-level rise. The proposal renders the existing hard edges of the waterfront as new “soft systems” that would include aquatic parks, community gardens, wildlife refuges and aquaponic farms. A synthetic architecture is introduced that blurs the distinction between building, landscape, infrastructure and machine. Using thousands of sensors and motorized components, the massive urban scale robotic structure harvests rainwater and fog, while modulating air flow, solar exposure and intelligent building systems.
International_Ocean_Station Several Authors (Open_Sailing) innovation, sustainability, future, project, prototype, lab, oil spills, renewable energy, environment, eecology, open sourc, open hardware, society, ocean, research, sailing, technology, opensource
We're developing open-source technologies to explore and study the oceans. Join us in designing, testing and building the International Ocean Station!
Laboratory for Visionary Architecture Chris Bosse, Tobias Wallisser and Alexander Rieck ([LAVA] ) 2007 architecture, technologie, nature, pollution, environtment, responsible future, intelligent systems, skins, materials, reacting environments
Chris Bosse, Tobias Wallisser and Alexander Rieck founded the Laboratory for Visionary Architecture [LAVA] in 2007. It was established as a network of creative minds with a research and design focus and has offices in Sydney, Shanghai, Stuttgart and Abu Dhabi. LAVA explores frontiers that merge future technologies with the patterns of organisation found in nature and believes this will result in a smarter, friendlier, more socially and environmentally responsible future. The potential for naturally evolving systems such as snowflakes, spider webs and soap bubbles for new building typologies and structures has continued to fascinate LAVA – the geometries in nature create both efficiency and beauty. But above all the human is the centre of their investigations.
May the Horse Live in me Marion Laval-Jeantet,Benoît Mangin (Art Orienté Objet ) 2011 bioart, tissues, hybrids, humans, animals, plasma, biotechnology, blood, horse, golden nica price
The performance May the Horse Live in Me is an attempt at “bioart” and extreme body art in which the animal foreign body, here the horse, is hybridized with the human body by means of an injection of horse blood (plasma). But far from being a fatal intrusion, such as that of the mythological hero Midas, said to have committed suicide by drinking bull’s blood, the idea is to carry out genuine therapeutic research, with the horse blood being made compatible and having a protective effect. For this purpose, Marion Laval-Jeantet has tried out different horse tissue immunoglobulins. The horse immunoglobulins recognize the targeted tissues and induce a functional regulation of these tissues that is specific to them. This ceremony of blood-brotherhood raises a debate on barriers between species and the supposed priority of human over animal concerning the earth’s resources. Will the animal be the future of the human?
MOON GOOSE ANALOGUE: Lunar Migration Bird Facility Agnes Meyer-Brandis 2012 space, habitat, geese, scientific data, moon, migration, humans
Agnes Meyer-Brandis’s poetic-scientific investigations weave fact, imagination, storytelling and myth, past, present and future. Here she develops an ongoing narrative based on The Man in the Moone, by bishop Francis Godwin, in which the protagonist flies to the Moon in a chariot towed by ‘moon geese’. Meyer-Brandis has actualised this concept by raising eleven moon geese, giving them astronauts’ names, imprinting them on herself as goose-mother, training them to fly and taking them on expeditions and housing them in a remote Moon analogue habitat. An analogue is a rehearsal for living in space. At various remote facilities around the world astronauts are practising for the phsychological challenges humans can face living away from earth. Meyer-Brandis` remote analogue habitat simulates the conditions of the Moon and will be accessed and operated from Meyer-Brandis’s control room installation within the gallery, where instructional videos, photographs and vitrines of the geese’s egg shells and footprints will be displayed. The viewer can see and interact with the geese here in the control room in real time while the artist encourages you to explore the margins of reality, in that liminal space where scientific data becomes elegiac data. Meyer-Brandis develops the contested history of Godwin’s original fiction – posthumously and pseudonymously published in 1603 as if the genuine account of the travels of Domingo Gonsales. She weaves a narrative that explores the observer’s understanding of the fictitious and the factual, with a nod to notions of the believably absurd.
Natural Resilience Catherine Verpoort (Textile Futures) 2012 project, design, resilience, biology, textiles, materials
The project is inspired by nature’s ability to process and conquer even artificial materials and surfaces in order to sustain and enforce itself. Nature’s immense strength and power is accompanied by an aesthetic that indicates a peaceful progression of time. The emergence of moss, fungi and plants, as well as their disappearing, brings life into the inanimate materials and objects. The project explores how we can design materials that respond to nature and its resilience.
Oil Compass Kasia Molga (V2_) 2011 scenarios, drone, energy, environment, ecology, Google Earth, ocean, visualitzation, interaction, Protei, oil spill, soil
"Oil Compass" explores the potential of the future effects of oil spills on oceans through the convergence of past records with present real-time data. Kasia Molga has attempted to envision possible future response for the novel oil spill cleaning technology called Protei: a swarm of autonomous sailing robots that would monitor and clean up oil spills. It is an interactive visualisation depicting “past”, “present” and possible “future” scenarios of oil spills in world's oceans; and threats which oil rigs and tankers carry while scattered all over the planet. Based on Google Earth API, it take live data visualisation of oil tankers and oil rigs and juxtaposition it together with the 10 worst spills in the history put together with data of energy consumption (and therefore need for oil) all over the world. "Oil Compass v.1" was produces in V2_ in Rotterdam as a part of Protei development - unmanned drone which can clean waters - brainchild of Cesar Harada
Pigeon d'Or Tuur Van Balen 2011 metabolism, city, urban, pigeons, biotechnology, environment, synthetic biology, bacteria, aestethics, design biology
The city is a vast and incredibly complex metabolism in which the human species is the tiniest of fractions; tiny and yet intrinsically linked into an organic embroidery beyond our understanding. It is within this complex fabric that (future) biotechnologies will end up. Pigeon d’Or proposes the use of feral pigeons as a platform and interface for synthetic biology in an urban environment by attempting to make a pigeon defecate soap. By modifying the metabolism of pigeons, synthetic biology allows us to add new functionality to what are commonly seen as “flying rats.” A special bacteria has been designed and created that, when fed to pigeons, turns feces into detergent and is as harmless to pigeons as yoghurt is to humans. Through the pursuit of manipulating pigeon excrement and designing appropriate architectural interfaces, the project explores the ethical, political, practical and aesthetic consequences of designing biology.
Portscapes Several Authors (SKOR ) 2009 art, photography, society, politics, urban, ecology, intervention, port, performance, video, interdisciplinary
At the extremity of The Netherlands, to the west of Rotterdam, an extension to the port of Rotterdam has been underway since September 2008. With the construction of Maasvlakte 2, The Netherlands will become 2,000 hectares larger and the port, already the biggest in Europe, will increase in size by 20%. The construction of Maasvlakte 2 prompted the Port of Rotterdam Authority to join with SKOR (Foundation Art and Public Space) in inviting the curatorial office Latitudes to in turn ask artists to reflect on the port, its expansion and its function. Under the title 'Portscapes', an artistic voyage of discovery has taken place throughout 2009, touching on the port's architectural, political, social and ecological past, present and future. Portscapes involves artists from The Netherlands, Mexico, Austria, Spain and Great Britain. By creating events, temporary art works, performances, photography, video work and excursions in and about the port area.
Surface Tension Several Authors (Science Gallery) 2011 water, future, artists, exhibition, natural resources, sustainability, environment, science, engineering, politics
The future of water is the subject of tension. Water is both disposable and sacred, a muse for artists and a necessity for life – a source of healing and of conflict. The Earth has abundant water, but only a very small proportion is available for human use. How should this be managed and sustained, and what would a water-scarce future look like? SURFACE TENSION brings together work by artists, designers, engineers and scientists to explore the future of water, playing on its physical properties, its role in politics and economics, and ways in which it may be harnessed, cleaned, and distributed.
The Tissue Culture and Art Project Ionat Zurr 2004 art, tissues, organisms, cells, biotechnology, life, biology, future scenarios, ethics, environment, science, sustainability, wearable technology
The Tissue Culture & Art Project (TC&A;) was set to explore the use of tissue technologies as a medium for artistic expression. We are investigating our relationships with the different gradients of life through the construction/growth of a new class of object/being - that of the Semi-Living. These are parts of complex organisms which are sustained alive outside of the body and coerced to grow in predetermined shapes. These evocative objects are a tangible example that brings into question deep rooted perceptions of life and identity, concept of self, and the position of the human in regard to other living beings and the environment. We are interested in the new discourses and new ethics/epistemologies that surround issues of partial life and the contestable future scenarios they are offering us.
Xeromax Envelope Jon Acosta et al. (Future Cities Lab.) 2010 responsive environment, architecture, robot, climate, energy, solar energy, actuators, sensors
Xeromax Envelope is a quarter-scale experiment for a responsive building envelope calibrated and tuned to its environment. Part robotic structure, part experimental interface, and part microclimatic machine it registers energy cycles and interactions over time while harvesting solar energy and protecting the building from the local climate. Xeromax Envelope is proposed as a second-skin to an existing building and becomes a register of present and forecasted conditions. The model weaves ultra thin custom actuators, arrays of light and proximity sensors through the extent of the surface which transforms as it registers the changing conditions around it.