Results 1 - 18 of 18
Project Persons Year Tags
12th International Conference on Human-Computer Interaction with Mobile Devices and Services (Faculdade de CiÍncias da Universidade de Lisboa ) conference, forum, human computer interaction
from September 7th-10th 2010 The MobileHCI series provides a forum for academics and practitioners to discuss the challenges and potential solutions for effective interaction with mobile devices and services. It covers the design, evaluation and application of techniques and approaches for all mobile and wearable computing devices and services.
Fashion at the Edge: Spectacle, Modernity, and Deathliness Caroline Evans 2003 images, fashion history, book, fashion designer
An academic treatise that's beautiful enough to be a coffee table book, Evans's study argues that during the 1990s avant garde fashion was "permeated by images of death, disease and dereliction." Evans consciously focuses her work on one thread of the fashion world: the edgy costumes of designers like Vivienne Westwood, Alexander McQueen, John Galliano, Hussein Chalayan and Viktor & Rolf. Theoretically, however, she recognizes no boundaries: her treatise incorporates the disparate works of Walter Benjamin, Charles Baudelaire, T.S. Eliot, Karl Marx, Elizabeth Wilson, Simone de Beauvoir and many, many others. The result is a complex and provocative text, one that displays both the substantial intellect and practical curiosity of its author.
Fashion Fianchettos Otto von Busch code, draping, algebraic, fashion, experiment, workshop, paper
Design workshop at Gallery Room 103 in Auckland in Spring 2009, called Fashion Fianchettos. The workshop used live draping and algebraic topology to experiment with new ways of disseminating fashion, as a set of mathematical functions and minimal codes of new drapings that could be sent between fashionistas. With a handful of bandage clips and an oversized t-shirt, the workshop provided an experimental platform for algebraic notated fashion, as well as a laboratory connecting academic text, social media and practical draping.
Gerrit Rietveld Academie Erik Wong, Anne-Grethe Filtenborg (Gerrit Rietveld Academie) exhibitions, workshop, bachelor, textile, design lab, fashion, master, school, academy, seminars, students
Materials and products are developed in TXT. The notion of a ësemi-finished productí plays an important role, enabling us to mediate between all kinds of end uses: architecture, fashion, interior design and industry. The atmosphere in the department is one in which thinking and doing permanently influence each other. Within the applied framework of the department, there is the opportunity to develop more autonomously oriented work. The world of visual designers is no longer strictly divided between artists and designers. The confusion between these two positions is productive, and you will be challenged to use it.
Goldsmiths Design (Goldsmiths Design, University of London) design, university, school, research
Design has a huge influence on the way we live. In an increasingly uncertain world we are facing, for instance, climate change, globalised consumerism and social fragmentation. So designers need to think more deeply, critically and creatively about their activities than ever before. Appreciating this, we have developed contemporarily engaged and future-sensitive academic programmes that cultivate versatile, pioneering graduates, critically aware of their responsibilities to the environment and of the ethical dimension of their activities in influencing social processes and cultural formation.
Interaction Design Department (Domus Academy) academy, school, ICT
The Master course in I-Design comes from a challenge: to bring the originality of Italian Design in the world of Information and Communication Technology (ICT). The course represents the natural evolution of a series of training and research initiatives developed in Domus Academy since 1983 on theme of technological innovation and on the design of intangible relations with interactive objects and services. It is part of a permanent laboratory on the themes of digital information with the culture of design at its centre, intended as knowledge of the changing world and as a way of learning by designing.
KABK Erik Verdonck (Koninklijke Academie van Beeldende Kunsten) photography, school, academy, students, fashion, textiles, craft, traditions, textile design, fashion design, pattern design, visual art, textural designer
The Textiles and Fashion programme at the KABK has two areas in which students can specialize: Textile Design and Fashion Design. In the propaedeutic year, students acquire the basic skills, techniques, insights and knowledge that together comprise the foundation for the following years of the programme. In addition to designing, Visual development, Pattern and Fashion Design, Colour, Photography, Styling and various techniques such as weaving, knitting, painting and design are the important supporting subjects.
Maggie Orth Maggie Orth artist, interactive, physical interfaces, wearable computing, electronic textiles, interactive textile musical instruments
Maggie Orth is an artist and technologist who designs and invents interactive textiles in Seattle, WA. She is the founder and Chief Executive Officer of International Fashion Machines, Inc. Orth received her Phd. in Media Arts and Sciences from the Massachusetts Institute of Technology, Media Lab in June 2001. Her academic work at the Media Lab (1997-2001) included patents, research, publications and design in new physical interfaces, wearable computing, electronic textiles, and interactive textile musical instruments.
Nano Force (Nano Force) nano, technology, polymers, particles, nano tubes, carbon, company, research
Nanoforce Technology is a spin-out company from the Department of Materials, Queen Mary University of London. It was set up as a part of the Micro and Nanotechnology Network funded by the Department of Trade and Industry (now the Technology Strategy Board-TSB) and the London Development Agency. Its remit is to exploit micro and nano technology and to disseminate the results to industry and academia for the development of products and processes.
Nottingham Trent University Phillip Breedon (Nottingham Trent University) point of sale/marketing/retail/exhibition designers and design engineers, product designers, packaging designers, design technology, school, CAD, web designers, innovations
The School brings you challenging courses that launch careers in product and furniture design, architecture, construction, surveying, civil engineering and property investment, development and management. Youíll develop the knowledge and skills to shape the modern world we live in.
Piet Zwart Instituut Florian Cramer (Hogeschool Rotterdam) moving image billboards displays, database film technologies, DVDs, cross-media narratives combining feature film and game projects, mobile-phone movies, gallery installations, Streaming media, digital work, wdka, design, craft, digital media, academy, master, site-specific projection projects, students, critical research, development new technical approaches, sustained project work
This Masters programme will be a stimulating and supportive context for your development as an innovative creator of distinctive moving and still images. The courseís mixture of critical research, development of new technical approaches, and sustained project work is designed to give you the opportunity to develop the original portfolio of work you will need to succeed in todayís highly competitive media environments.
Puff & Flock Kathy Schicker (Puff & Flock-textile design laboratory) academic research, fine arts, material science, design, innovation, share, group, textile designers, storytelling, product design, unconvetional, statement for textiles
We are a recently formed group of textile designers, bound by a shared vision for the future direction of design. Far from the common perception of textile designers as girls who draw flowers, we are individuals who integrate aspects of material science, fine arts, academic research, storytelling, and product design into our practice. Because this broad understanding of textile design is still considered unconventional, we join forces to create a stronger statement for textiles.
slimavocado Kristin Neidlinger enhanced bodies, artist, wearable, sensors
Kristin Neidlinger aka Slim Avocado is an experience designer focused on the Sensory Computer Interface [SCI]. She aspires to craft phenomenal technology to enhance and expand physical embodiment. kristin is a classically trained ballerina with a background in physical therapies and holds an MFA in Interactive Design. Currently, she works with a team of artists and engineers at SENSOREE an art tech design lab creating therapeutic bio.media, body architecture, sensitive technology, interactive installations, and robot clothes.
Smart Products (Estonian Academy of Arts ) school, art, academy
We live in remarkable time, often not taking note of what is happening around us, and how much it is changing while we watch. Digitalisation, the quiet infi ltration of artifi cial intelligence into everyday objects and our environment is one of the most substantial changes which appears to be quite natural. Things become smart ñ smart home, smart door, smart toothbrushÖ This smartness is generally perceived as the ability of objects to evaluate the environment and what is going on there realistically and to guide processes, if need arises ñ be it textile which responds to our body heat and adjusts its structure accordingly, or an airport concourse which delicately and personallyguides us to the right place according to the ticket in our pocket.
Sonia Delaunay: Fashion and Fabrics Jacques Damase, Sonia Delaunay 1997 art deco, fabric design, robert delaunay, fashion history, book
The Russian-born artist Sonia Delaunay, who with her husband, Robert Delaunay, was a leading light of the Cubist splinter group Orphism, branched out after the First World War into a distinctive career of her own. Between 1920 and 1930, a decade full of activity and success, she produced some of the most striking and original fabric designs of modern times. She was the inventor of abstract design for fabrics, and her materials--brightly colored and filled with geometric patterns--were the rage among fashionable circles in the Art Deco era. Delaunay made imaginative waistcoats for Tristan Tzara, Louis Aragon, Ren Crevel, and other Surrealist poets.
T.L.Barnes (T.L.Barnes Enterprises) materials, buy, metal buttons, Metal Threads, wires, company, online shop, hardware
T.L. Barnes Enterprises has been providing trim, buttons, appliques, and more to the west coast SCA and re-enactor communties for over a decade. We're proud to now offer our merchandise online to the world.
TEXTILE Kaunas Biennial Chief Executive: Virginija Vitkienė (info@kaunas.biennial.lt), Project administrator Gintarė Dūdėnaitė gintare@bienale.lt, (Kaunas Biennial, Kaunas Biennial Board E-mail: info@kaunas.biennial.lt) biennial, fall discursive textile culture, textile art, exhibition
We seek to make Kaunas biennial TEXTILE the most significant event for contemporary textile art in Europe, which reflects analytically the art processes currently taking place all over the world, by bringing up the priorities of creative collaboration, openness and democratic relationships in the processes of art creation and its perception. Kaunas Biennial is a platform and a real opportunity for - artists’ debates and the realisation of innovative ideas, - collaboration among artists and visitors, - the enhancement of the sense of community through creative activities, - interdisciplinary artistic and academic practices, - international and intercontinental partnerships and - the creation of a discursive textile culture.
Willem de Kooning academie (Hogeschool Rotterdam) haute couture, ready to wear, fashion design, conceptualised collections, physical garments, design, academy, school, students, university, master
Alongside exclusive ëhaute coutureí, ready-to-wear commercial collections for larger or smaller target groups are nowadays becoming increasingly more important in fashion design. Ready-to-wear commercial collections enable consumer groups to communicate their own identities. In their work, fashion designers apply their creative and critical vision to reflect on current developments in their profession and in society at large.