Results 61 - 67 of 67
Project Persons Year Tags
TEXTURA (TEXTURA Trading Company ) shop online, yans, fabric, textile, fibers, handweavers, innovative materials
Textura Trading Company is a mail order business dedicated to providing unique yarns and fibers to handweavers, spinners and textile artists. Some of our yarns and fibers are traditional, others represent innovative developments in both fiber qualities and environmental friendliness.
TexWorld (Messe Frankfurt) 2010 shirting, cotton, prints, functional fabrics, fibres, wool-blends, wool, silky aspects, silk, lace, embroidery, trims and accessories producers, garment manufacturers, clothing fabrics, marketplace, event, linen, denim, knitted fabrics, trims & accessories, clothing, style, publications
Texworld is the marketplace for discovering handmade and industrial textiles from all over the world. Embroidery, lace, silk, silky aspects, wool, wool-blends, fibres, functional fabrics, prints, cotton, shirting, linen, denim, knitted fabrics, trims & accessories, clothing, style, publications.
The Supermodern Wardrobe Andrew Bolton 2002 book, wardrobe, dress, urban, pollution, revolutionary
Transcending superficial concerns of mere stylishness, The Supermodern Wardrobe addresses the real needs of men and women navigating the urban landscape. Air pollution, physical assault, extreme temperatures, space restrictions: by utilizing multifunctional fabrics and technologically equipped textiles, innovative designers like CP Company, Samsonite, Kosuke Tsumura, and Vexed Generation respond to such contemporary challenges. Whether it's a bulletproof parka inspired by riot gear, a jeans jacket wired for an MP3 player, or a dress that turns into a travel pillow, the clothes are so pragmatic, they're revolutionary.
The T-Shirt Issue Linda Kostowski, Mashallah Design 2008 lasercutter, wearable, geometric garment, personal expression, formal-poetic garment, unconventional t-shirt
Three people are portrayed digitally by scanning their bodies. The output of this scan is a 3d file, which resolution is defined by the amount of polygons, similiar to pixels in a bitmap grafic. Linked with their biographical memories a digital twin of the body is thus created, which expands and personifies the garment in a formal-poetic way. The 3d data is turned into 2d sewing patterns by the use of the unfolding function which is a common tool in industrial design process to make paper models with, the single fabric pieces and the inner interface which defines the edges are cut out by the help of a lasercutter.
Understanding Fashion History Valerie Cumming 2004 book, fashion history, plates, photographs, paintings, drawings, dress, fabric, textile, materials
A much-needed overview of aspects of fashion history and how to understand it with clear, jargon-free text to help all lay readers, collectors, as well as students of fashion history. The author is a leading authority on fashion history with experience as a writer, teacher and curator. Illustrated throughout with plates, photographs, paintings and drawings, the book is divided up into the following chapters: What is dress, and how and why is it studied? Theories of dress and fashion and how they have evolved; Collections of dress and textiles and their importance as a source of information about social and technological change; Dress in art and dress as art; Dress as an indicator of role and status; Dress and cultural imperialism: absorption of non-Western ideas in fabric and the imposition of Western dress in preference to indigenous styles.
Unravel @ siggraph 2006 tech, wearable, exhibition, show, fashion
Unravel: the SIGGRAPH2006 Fashion Show presents a runway show of innovative and experimental works in computational and conceptual couture, fashion with a social agenda, science-inspired form, and new technologies of material fabrication. Unravel brings together the work of designers and artists from the US, Canada, Europe, and Asia who are seeking to redefine the notion of ‘wearable.’ In the increasingly mobile nature of contemporary life, it has become important to contemplate how the devices we carry and the garments we wear converge into a ‘secondary skin’ which function as an extension of ourselves, in both ability and perception. By using fashion, a medium which has always been associated with self-expression and personal identity, these designers seek to demonstrate how the use (or misuse) of technology and its modes of production have the power to stimulate, delight, and inspire in ways as yet untapped in the fashion world. Gone are the stereotypical bulky cyborg devices; what emerged are garments of beauty, subtlety and elegance in form. Some bring to light important social issues — redefining our notions of personal space, networked environments, and issues of privacy and protection. Others relish in pure delight, reminding us how technology also has the power to enhance our personal relationships and celebrate fantasy and play as part of the human condition.
Ztretch music controller Joe Paradiso, Dave Merrill (MIT Media Lab) 2006 MIT, electronic textiles, audio
There has been much prior research on integrating electronics into textiles. However, I felt that many of these projects did not take into account the usability and interactivity of the fabric. Much of the prior work is focused on rigid, exact places for touching the fabric, rather than supporting the many actions our hands and bodies can create. Thus, I wanted to make a device that could capture the richness of active touch interactions. These haptic interactions could be used to create expressive music.