V2_ Knowledgebase

Alexandra Fede Fashion designer with Technology Transfer experience in all aspects of development and implementations in a garment.. Direct experience in Fashion shows or catwalk , public relation, communication, scientific journalist, fashion consulting and patent's inventor.

Angel Chang is a New York-based fashion designer who creates versatile dressing solutions for worldly women on the go. Her namesake collection, ANGEL CHANG (founded in 2006), grew out of a vision to offer women wardrobes that could actually "do things" beyond just looking good. The collectionís use of innovative materialsóincluding color-changing prints, light-up fabrics, and self-heating liningsówas a first for the American luxury designer market. As a result of these pioneering efforts, the company received the coveted Ecco Domani Fashion Foundation Award and the prestigious Cartier Womenís Initiative Award within the first year of launching.

ArtEZ verzorgt bachelor- en masteropleidingen op het gebied van beeldende kunst, mode, vormgeving, architectuur, muziek, dans en theater. Het brede onderwijsaanbod biedt ruimte voor disciplineoverstijgende samenwerking.

Viktor & Rolf enigmatically named their collection "long live the immaterial." It was hard to decipher precisely what that meant since the collection was full of rather heavy materialsówool, pinstripes, fur, velvet, crochet. The designers' talent for earnest experimentalism with traditional elements was funneled into a single device this season; they highlighted all-black outfits with bits of vivid royal blue so that the epaulettes, collars, bib shirt fronts and belts popped out in radiant color.

Clothes don't just look good, they're starting to think for you as well. Rebecca Martin reports on the next generation of textiles in part two of our fashion series. Catapult was funded by the Department of Innovation, Industry and Science and Research. This website is archived. Other than the news, Catapult is no longer updated.

The ClickSneaks were conceived in the most pedestrian manner. Walking down a cobblestone street, wearing a comfortable pair of sneakers next to a friend wearing a stunning pair of high heels. The sound of the heels echoed through the night, each step producing a rich aural environment

This website, entitled Cyberfibres, is a searchable online database of Australian fashion and textile design created by a team led by Kaye Ashton for the Frances Burke Textile Resource Centre and the RMIT University School of Fashion and Textiles in Melbourne Australia. The website contains a brief history of the Cyberfibres project, its content, origins and how to use it. The database can be searched by keyword, by a structured search facility including Date and Role functions, or can be browsed alphabetically. Entries in the database are varied, and may contain biographical information, images, articles, archive and resource location and repository details, lists of published resources, links to relevant entries in the database, and links to other online resources.

The education and research programmes are organized in four centres: Centre for Fashion Design, Centre for Industrial Design, Centre for Communication Design and Centre for Arts and Crafts. We offer a wide series of study programmes, covering different approaches to design: visual communication, fashion design, industrial design, branding, furniture design, spatial design, textile design, design for digital media, ceramics, glass design and design for film and TV.

Kouji is product designer and fashion designer, focused on next generation wearable electric fashion. He worked at Ricoh from 1966-2003 and has won numerous Competitions awards like the Bicycle , the Camera , Audio machine, the YKK Fastening Awards and Space couture Award in 2006. He started to lecture at the Bunka Woman's University in 2004.Kouji is interested in the commonness of the space suit and Global warming and attendance on old people.

While de Senneville had hoped her clothes would have relevance in the 21st century, she was right on target. In 2001 the futuristic designer met the future head on and created clothing with New Age accoutrements. As Scott Lafee of New Scientist (24 February 2001) remarked, "Clothing of the future will be smart, so smart it will organize your day." The de Senneville take on such a proposition was designing dresses with built-in microcapsules with a variety of substances from heat-sensitive dyes (that vary color with body temperature), sunscreen or fragrance. In addition, according to Lafee, While such creations may not be everyone's cup of tea, de Senneville most definitely represents the future of fashion designing.

-Janet Cooke Hansen is President and Chief Fashion Engineer of Enlighted Designs, Inc. She founded the business to create her own "dream job" as a light-up clothing designer. Janet's eclectic designs combine her lifelong interests of fashion, art, and technology. She learned to sew at age 7, and installed miniature lights in her own dollhouse. Over the years, her costume-making hobby began to incorporate electronics, with illuminating results. -Enlighted is based in Encinitas, California (in the northern coastal area of San Diego County), and we sell our lighted clothing exclusively through our own website, enlighted.com. We create custom designs for a wide variety of international clients, including professional entertainers in the music industry, as well as for applications in art, theater, dance, television, film, and advertising.

Extreme Textiles highlights successful collaborations between design, industry, and science. Large, full-color illustrations and essays by some of today's most influential designers and scientists trace the extraordinary developments made in textiles over the last twenty years and suggest what is to come.

The one-year Fashion Design programme at maHKU consists of three parallel courses: Discipline, critical studies and your individual research project, creating an optimal mix of design and theoretical research.

This book tests the very definition of modernity and enhances our understanding of the role of fashion in the modern world. From top hats to locomotives, dresses to retail outlets, fashion is a prism through which modernity reflects and refracts. Breward and Evans bring together an organic collaboration of voices on this subject. The collection ranges from such topics as James Morrison (1789-1857), the Napoleon of Shopkeepers; to dress in the Stuart era; The Mannequin Parade, 1900-1925; and clothing the London actress (1860-1914). From the relationship between clothing and forensic sciences, to the play of performance, parasexuality, and the celebrity, Fashion and Modernity offers an enlightening look at fashion and the modern age.

An academic treatise that's beautiful enough to be a coffee table book, Evans's study argues that during the 1990s avant garde fashion was "permeated by images of death, disease and dereliction." Evans consciously focuses her work on one thread of the fashion world: the edgy costumes of designers like Vivienne Westwood, Alexander McQueen, John Galliano, Hussein Chalayan and Viktor & Rolf. Theoretically, however, she recognizes no boundaries: her treatise incorporates the disparate works of Walter Benjamin, Charles Baudelaire, T.S. Eliot, Karl Marx, Elizabeth Wilson, Simone de Beauvoir and many, many others. The result is a complex and provocative text, one that displays both the substantial intellect and practical curiosity of its author.