Results 1 - 6 of 6
Project Persons Year Tags
Fashion Institute Arnhem (ArtEZ) fashion master, Fashion Curation, Fashion Journalism, Futurising, Branded Design, Shoe Design, Fashion Design, future fashion, projects, students
The course is meant for fashion designers who wish to refine their personal signature and develop their skills as independent designers. During the year students work under conditions that simulate the reality of an independent fashion designer. Professionals from the work field will provide individual coaching.
ISWC (ISWC 2010) 2010 fashion designers, product vendors, researchers, mobile technologies, on-body, wearables computers, wearable computing, meeting, conference, symposium, textile manufactures, users, share information
ISWC'10, the fourteenth annual IEEE International Symposium on Wearable Computers, is the premier forum for wearable computing and issues related to on-body and worn mobile technologies. ISWC'10 will bring together researchers, product vendors, fashion designers, textile manufacturers, users, and related professionals to share information and advances in wearable computing. ISWC'10 explicitly aims to broaden its scope to include cell phones and cell phone applications as they have become the most successful wearable computer to date.
Moritz Waldemeyer Moritz Waldemeyer catwalk, choreography, LED, collaborations, fashion, art, technology, innovative, stylist, designer, Hussein Chalayan, wearable technology, visionary
Widely recognised as one of the most innovative and exciting designers of his generation Waldemeyer, aged 34, was born in East Germany. He moved to London thirteen years ago where he trained as an engineer at Kings College and completed his Masters degree in 2001. Since then, he has collaborated with many of the worldís top architects and fashion designers including Ron Arad, Zaha Hadid and Hussein Chalayan. His work is a fusion of technology, art, fashion and design.
Re:skin ANAT, CNMA, Craft Australia (Reskin) 2007 ANAT, media art, textile, sound design, jewellery, university, group
In Summer 2007 we intertwine the practices of media arts and sound design, textile and weaving, jewellery, object and fashion design to produce the reskin Wearable Technology Lab. This collaborative project of ANAT, the Australian National University School of Art, the Centre for New Media Arts (CNMA) and Craft Australia places jewellers and fashion designers with new media artists in an intensive three week research and development lab.
Rubber: Fun, Fashion, Fetish Janet Bloor, John D. Sinclair 2004 rubber, new material, jewelry, images, book, new applications
Filled with specially taken images by Geraldo Somozo, these pages show us rubber toys, from Wacky Wall Walkers to the collectibles of the Auburn Rubber Company; the use of this nonslip, insulating, waterproof material in every room of the house; its eerie capacity to mimic other forms and substances; how elastic fibers, comprised of rubber filaments, helped fashion designers to realize that women are not made of rigid material; how the German jeweler Bunz combined rubber with diamonds and gold; contemporary rubber in computer keyboards and cell-phone keypads; andóas climaxóthe steamy, salacious, seductive, (and deliciously sleazy) erotic world of rubber. Over 200 color photographs.
Willem de Kooning academie (Hogeschool Rotterdam) haute couture, ready to wear, fashion design, conceptualised collections, physical garments, design, academy, school, students, university, master
Alongside exclusive ëhaute coutureí, ready-to-wear commercial collections for larger or smaller target groups are nowadays becoming increasingly more important in fashion design. Ready-to-wear commercial collections enable consumer groups to communicate their own identities. In their work, fashion designers apply their creative and critical vision to reflect on current developments in their profession and in society at large.