Results 91 - 116 of 116
Project Persons Year Tags
StudioLab Aadjan van der Helm (TU Delft) aesthetic appeal, product experience, intelligence in products, inspiration engineering, emotional design, design for the senses, industrial design, students, research, group of designer, TU Delft, ergonomics-driven, technology-driven, working prototypes
The Studio lab aims at integrating multidisciplinary knowledge on user, technology, and the product usage context. Building working prototypes that are rich in experiential quality and design tools is essential to the research approach. Prototypes with design variables are tested in real environments, in an iterative research through design cycle. Results from user experience testing leads to design knowledge and refinement of research issues.
Suzi Webster Suzi Webster new media, installation, artist, critique
As a new media installation artist, Suzi Webster's practice is concerned with exploring and critiquing the ways in which technologies, specifically but not solely digital technologies, impact and shape our experiences of being human. In particular, Webster is excited by the possibilities offered by digital media to create work that is collaborative, responsive and dynamic, rather than fixed and static, and that undermines traditional fine art distinctions based on medium specificity. Her current research interests center around wearables that explore intersections between sculpture and performance, fashion and computing, the body and its context, public and private, in a critical way.
Tap Tap L.Bonanni, J.Lieberman, C.Vaucelle, O.Zuckerman 2005 wearable system, project, record, distribute, affectionate touch, emotional therapy, scarf, haptic devices, useful accessory, felt, haptic modules, record sensations, microcontroller circuit, metal snaps, touch memory, sex, sizing, height, shoe size, coloring, student, MIT Media Lab, interaction design
TapTap is a wearable haptic system that allows nurturing human touch to be recorded, broadcast and played back for emotional therapy. Haptic input/output modules in a convenient modular scarf provide affectionate touch that can be personalized. We present a working prototype informed by a pilot study.
Teijin Fibers (Teijin Fibers Limited) fibers, research, development, polymers, manufacturer, sell, company
Teijin Fibers Limited researches, develops, manufactures and sells polyester raw materials, polymers, fibers and textiles consisting of mainly Tetoron. As the core company of the Teijin polyester fibers business group, the company, in collaboration with group companies both in Japan and abroad, implements global operations aggressively and provides solutions which meet our customer needs. These are becoming more diversified and advanced, and are based on our total polyester technology in every field from raw materials and polymers, fibers and textiles for both apparel and industrial uses, to product recycling.
TextielLab Hebe Verstappen (Audax Textielmuseum-Textiellab ) textile design, school, textilelab, knitting, museum, machines, education, embroidering
Get actively acquainted with the renewed Audax Textile Museum Tilburg! Choose one of the TextileSchool programs below and discover how dynamic the Textile Museum is. ï ROC/MBO (Regional Education Centre/Intermediate Vocational Education) ï HBO/WO (Higher Vocational Education/Higher Education) ï VO (Secondary Education) ï BO (Vocational Training)
textiellab manufacturing, textile
Textile futures (MA Design for Textile Futures-Central Saint Martins School of Art and Design) news, students, blog, school
Welcome to the Textile Futures website! The site uses a collaborative platform created and regularly updated by the staff and students of the MA Design for Textile Futures at Central Saint Martins School of Art and Design in London, UK.
TEXTILE Kaunas Biennial Chief Executive: Virginija Vitkienė (info@kaunas.biennial.lt), Project administrator Gintarė Dūdėnaitė gintare@bienale.lt, (Kaunas Biennial, Kaunas Biennial Board E-mail: info@kaunas.biennial.lt) biennial, fall discursive textile culture, textile art, exhibition
We seek to make Kaunas biennial TEXTILE the most significant event for contemporary textile art in Europe, which reflects analytically the art processes currently taking place all over the world, by bringing up the priorities of creative collaboration, openness and democratic relationships in the processes of art creation and its perception. Kaunas Biennial is a platform and a real opportunity for - artists’ debates and the realisation of innovative ideas, - collaboration among artists and visitors, - the enhancement of the sense of community through creative activities, - interdisciplinary artistic and academic practices, - international and intercontinental partnerships and - the creation of a discursive textile culture.
The Edward S. Rogers SR. Department of Electrical and Computer Engineering (University of Toronto) university, school, diy, electrical engineering
We offer undergraduate programs in Electrical Engineering and Computer Engineering. Our teaching laboratories provide unique hands-on opportunities to build things and we teach engineering from the "you-must-do-it-yourself" perspective. In addition, our faculty members are engaged in cutting-edge research and we offer opportunities for graduate student training that are among the best in the world. With over 70 professors and 400 graduate students, this department is practically "buzzing" with innovative research ideas and projects. This, in turn, benefits our undergraduate program, enriching the course content and providing valuable research experiences for our eager undergrads.
The Montreal Centre for Contemporary Textiles (The Montreal Centre for Contemporary Textiles) artists, researcher, network, computer assisted, embroidery, non- profit organizations, developing textile, creations, design, education, training, consulting, research, production, equipment rental, exhibition, textile creation, high tech, weaving, knitting, students, international
A non-profit organization dedicated to developing textile creation in QuÈbec by providing top rate services in education, training, consulting, research, production, equipment rental, exhibition and sales. Textile creation using the most advanced technology available in weaving, knitting, embroidery and computer-assisted design. A staff composed of practising professionals who are experts in many different techniques and materials for textile production. A network of internationally leading artists and organizations. Consulted by researchers, artists and students from around the world.
The Patchingzone Anne Nigten (The Patchingzone) materials, laboratory, master, doctor, post doc students, professionals, students, reseacher, creative use of high-tech, digital media, information technology
The Patchingzone is a transdisciplinary laboratory for innovation where Master, doctor, post-doc students and professionals from different backgrounds create meaningful content. In our laboratories the students and researchers work together, supervised by experts, on commissions with creative use of high-tech materials, digital media and / or information technology.
Things That Think (MIT Media Lab) augmented, objects, research, science, engineering, design, art
Things That Think is inventing the future of digitally augmented objects and environments. We bring a unique, boundary-breaking perspective to research, uniting leaders in science, engineering, design, and art. Grounded by extensive corporate sponsor interaction, our prototypes and demonstrations aim to inspire the products and services of tomorrow.
TITV (TITV Greiz) test centre, technical labs, new applications, innovative textile products, interdisciplinary cooperation, textile research, partner for research, flexible materials, special textile, institute, Textile Microsystems Technique/Smart Textiles, info centre, functional surfaces, sport & wellness applications
As a close-to-market research organisation, the TITV Greiz is your partner for research, development, service, consulting, testing and professional training along the textile value chain. More than 50 employees develop high-tech solutions with the classic textile technology as the basis for new materials. The successful interdisciplinary cooperation with non-textile branches becomes more and more important for our institute. Especially the combination of electronics and textiles creates innovative textile products for completely new applications.
Transmaterial Blain Brownell, Transtudio resource, book, website
As the speed of technological progress continues to accelerate, innovation threatens to outpace architects' and designers' working knowledge of materials thereby limiting their applicability. In order to stay at the cutting edge of design, a knowledge of the uses, properties, and sources of new materials is essential. A companion to the Transmaterial books written by Blaine Brownell and published by Princeton Architectural Press, Transmaterial online is intended to be a clear, concise, accessible, and carefully edited resource that provides information about the latest and most intriguing materials commercially available.
Transstudio Tom Neilssen (Transstudio) creative laboratory, materials, research, architect, innovation
Transstudio is a creative laboratory dedicated to emergent materials research and the development of material-focused architecture and design applications. Created by architect, materials researcher, and sustainable building advisor Blaine Brownell, Transstudio promotes the positive transformation of the constructed environment via synergistic intersections between sustainability, technology, and design innovation. The Transstudio platform seeks to make change through multiple channelsópromoting awareness, providing resources, and offering tangible solutionsóin order to connect disruptive technologies with concomitant design approaches.
V2_Lab Piem Wirtz (V2_Institute for Unstable Media) fields of art and culture, technical solutions, artistic research, projects, artists, wearable technology
V2_Lab is a place for artistic research and development (aRt&D). V2_Lab develops generic technical solutions that are relevant to the fields of art and culture. The results are published and made available under open-source licenses whenever possible. In V2_ projects, artists, technicians and scientists work together to develop technology for specific artworks. Additionally, V2_Lab offers technical and productional support to artists working with new technologies. An artist-in-residence program is one means of achieving this.
Valerie Lamontagne Valerie Lamontagne concordia university, wearable technology, curator, critic, researcher, artist, digital media art, design, computation art
Valerie Lamontagne is a Montreal-based performance and digital media artist, freelance art critic and independent curator. She received an MFA from Concordia University (Montreal) where she presently teaches in Design and Computation Arts and she is a co-founder of the media arts collective MobileGaze. She is presently a Ph.D. candidate at Concordia University with the Topological Media Lab investigating "Relational and Ubiquitous Performance Art".
Veneto Nanotech (Veneto Nanotech s.c.p.a.) 2003 nanotechnology, research
Great part of Veneto Nanotech's mission is dedicated to support R&D activities, to strengthen the existing infrastructure and to leverage the present regional competences. Nanotechnology research in Veneto is very advanced. More than 600 Professors, Researchers and PhD Candidates are employed in local Universities and Research Centers. Such concentration of competences can also count on a series of links and collaborations with international Universities and Research Institutes.
Vincent Leclerc Vincent Leclerc MIT, XS Labs, designer, electronic textiles
I recently graduated from the MIT Media Lab and co-founded ESKI. I also make electronic textiles at XS Labs, and teach Physical Computing in the Design & Computation Arts department at Concordia University. This is a chronological repository of interactive artefacts I have had the opportunity to build and play with. Feel free to use and abuse these ideas in accordance with the license below.
VT E-Textile Lab Mark Jones, Tom Martin (Virginia Tech) employ extensive simulation, physical prototypes, e-textile, computing research issues, textile lab, textile design
We are attempting to address the computing research issues that arise in the successful realization of e-textiles. Our approach to this process is to build physical prototypes and employ extensive simulation to explore the vast design space in e-textiles. Towards that end, we are constructing a modeling and simulation environment to explore that space.
Waag Society (Waag Society) social innovations, artists, performance, media art, research, develops concepts, acts, cultural, public, interaction, private, parties, fablab
Waag Society develops creative technology for social innovation. The foundation researches, develops concepts, pilots and prototypes and acts as an intermediate between the arts, science and the media. Waag Society cooperates with cultural, public and private parties.
Walk! Stefan Zwegers, TU/e (TU/e, Adidas) 2009 adidas innovations team, female user, t shirt, pedometer, active lifestyle, wearable electronic concept, sportwear, brand, collaborations, student, tu/e, thermochromic ink
Stefan Zwegers has a innovative, motivational proposal in from of his wearable electronic concept which is currently exhibited at the Dutch Design Week in Eindhoven, The Netherlands. Walk! is a shirt developed for women who want an active lifestyle. In the morning a pedometer module is attached to the shirt, which registers the amount of steps that are taken during the day.
Wearable Computing Lab (ETH Zurich) wearable computing group, digital electronics, high density packaging, smart textile, signal processing, wearable computers capable of smart assistance
The interdisciplinary Wearable Computing Group which is headed by Prof. Gerhard Trˆster consists of 2 PostDocs, 15 PhD students and 2 technicians. Our core expertise lies in miniaturized digital electronics, high density packaging and smart textile, as well as signal processing. We capitalize on this expertise in designing wearable computers capable of smart assistance.
Wiring Hernando Barrag·n (Wiring) programming, prototyping
Wiring is both a programming environment and an electronics prototyping input/output board for exploring the electronic arts and tangible media. It can also be used to teach and learn computer programming and prototyping with electronics. It illustrates the concept of programming with electronics and the physical realm of hardware control which are necessary to explore physical interaction design and tangible media aspects in the design and arts disciplines. The Wiring software and the hardware designs of the Wiring electronic input/output board are freely available for download on the Web. Users have access to the Wiring electronic input/output board as well.
XS labs Joanna Berzowska (XS labs) lab, innovation, electronic textiles, reactive garments, interactions, design research studio, complex textile-based surfaces, transitive properties
Joanna Berzowska's XS Labs is a design research studio with a focus on innovation in the fields of electronic textiles and reactive garments: "second skins" that can enable computationally-mediated interactions with the environment and the individual. We are equally inspired by the technical and cultural history of how textiles have been made for generations (weaving, stitching, embroidery, knitting, beading, quilting) and by new and emerging materials with different electro-mechanical properties. This enables us to construct complex textile-based surfaces, substrates, and structures with "transitive" properties.
Ztretch music controller Joe Paradiso, Dave Merrill (MIT Media Lab) 2006 MIT, electronic textiles, audio
There has been much prior research on integrating electronics into textiles. However, I felt that many of these projects did not take into account the usability and interactivity of the fabric. Much of the prior work is focused on rigid, exact places for touching the fabric, rather than supporting the many actions our hands and bodies can create. Thus, I wanted to make a device that could capture the richness of active touch interactions. These haptic interactions could be used to create expressive music.