Results 1 - 7 of 7
Project Persons Year Tags
Fab Lab (MIT) 2006 computer controlled tools, MIT, concepts, technological art, DIY, fashionable technology, wearable, workshop, design tools, circuits and microcontrollers, 3D Printing and Scanning Machines
A Fab Lab (fabrication laboratory) is a small-scale workshop with an array of computer controlled tools that cover several different length scales and various materials, with the aim to make "almost anything". This includes technology-enabled products generally perceived as limited to mass production. While Fab Labs have yet to compete with mass production and its associated economies of scale in fabricating widely distributed products, they have already shown the potential to empower individuals to create smart devices for themselves. These devices can be tailored to local or personal needs in ways that are not practical or economical using mass production.
Fashionable Technology Sabine Seymour 2008 Hussein Chalayan, New York University, XS Labs, MIT Media Lab, Burton, Philips, companies and artists, research institutes, clothing, fabrics, fashion design, wearables, electronic textile, book, Cute Circuit, fashionable technology, projects, conceps, schools, prototypes
Over 50 well-known designers, research institutes, companies and artists, among them Philips, Burton, MIT Media Lab, XS Labs, New York University, Hussein Chalayan, Cute Circuit or International Fashion Machines are introduced by means of their latest, often still unpublished, project, and a survey of their work to date. Given for the first time is a list of all the relevant information on research institutes, materials, publications etc. A must for all those wishing to know everything about fashionable technology.
International Fashion Machines Maggie Orth (International Fashion Machines ) contemporary design, functional
At International Fashion Machines (IFM), we believe that high tech doesn't have to be hard-edged. Functional doesn't have to be impersonal. And lighting your room doesn't have to be mundane. We combine exceptional contemporary design with the latest in electronic textile technology to create products that soften and enliven your experience with every day items.
Kelly Dobson Kelly Dobson MIT, art, engineering, people, machines
Working in the realms of art, design, engineering, psychology and society, Kelly explores the relationships between people and machines, and has received a Master of Science degree from MIT's Visual Studies Program and another from the MIT Media Lab.
Maggie Orth Maggie Orth artist, interactive, physical interfaces, wearable computing, electronic textiles, interactive textile musical instruments
Maggie Orth is an artist and technologist who designs and invents interactive textiles in Seattle, WA. She is the founder and Chief Executive Officer of International Fashion Machines, Inc. Orth received her Phd. in Media Arts and Sciences from the Massachusetts Institute of Technology, Media Lab in June 2001. Her academic work at the Media Lab (1997-2001) included patents, research, publications and design in new physical interfaces, wearable computing, electronic textiles, and interactive textile musical instruments.
TextielLab Hebe Verstappen (Audax Textielmuseum-Textiellab ) textile design, school, textilelab, knitting, museum, machines, education, embroidering
Get actively acquainted with the renewed Audax Textile Museum Tilburg! Choose one of the TextileSchool programs below and discover how dynamic the Textile Museum is. ï ROC/MBO (Regional Education Centre/Intermediate Vocational Education) ï HBO/WO (Higher Vocational Education/Higher Education) ï VO (Secondary Education) ï BO (Vocational Training)
Zeroes and Ones: Digital Women and the New Technoculture Sadie Plant 1997 book, digital, computers, women, craft
In this bold manifesto on the relationship between women and machines, Sadie Plant explores the networks and connections implicit in nonlinear systems and digital machines. Shattering the myth that women are victims of technological change, Zeros + Ones shows how women and women's work in particular--weaving and typing, computing and telecommunicating--have been tending the machinery of the digital age for generations, the very technologies that are now revolutionizing the Western world.