Results 1 - 5 of 5
Project Persons Year Tags
Blowup: Wild Things Several Authors (V2_) 2011 insects, communication, seminar, book, animals, design, art
The first edition of Blowup will examine art and design projects that are created with animals in mind as the end users and active participants – not people. This evening event will feature three leading practitioners discussing their work that is created for animals to appreciate and actively use. The speakers will address how their work can instill greater empathy for animals in us, and what they think the animals' experience of the art actually is.
Cinema For Primates Rachel Mayeri 2011 cinema, primates, science, psicology, artwork, animals, tests, project, zoo, biology, zoology
Cinema for Primates is a series of videos designed and presented for chimpanzees at Edinburgh Zoo. Chimpanzees in captivity are shown television as a form of enrichment, but no artists have made videos expressly for chimps. After showing a series of test videos to the chimps to learn their preferences, the artist will script and produce a synthetic chimpanzee drama. The video will be installed at the zoo, so that both human and non-human primates can simultaneously watch the show and each other’s responses to it. The project is intended to imagine the inner world of the captive chimpanzee, producing an original artwork—enrichment for humans and chimpanzees.
Jurema Action Plant Bert van DuijnIvan Henriques (V2_) 2011 biology, environment, biodiversity, interaction, environmentalism, prototype, plant, robot
Plants are moving creatures. Their movements generally remains invisible to us, because their muscle and nerve-like systems operate at a very slow timescale and their rooting in soil confines their motion to the movement of branches and leaves. These restrictions give plants an enormous disadvantage compared to their main aggressors: animals and humans, in many instances resulting in a loss of biodiversity and even extinction. In the prototype that Ivan Henriques developed during the V2_ Summer Sessions a plant is provided with an off-the-shelf motor system. The potential of the plant to sense when it is being touched is used to set the motor in action. By doing so, the plant is able to speedily drive away in response to human touch.
May the Horse Live in me Marion Laval-Jeantet,Benoît Mangin (Art Orienté Objet ) 2011 bioart, tissues, hybrids, humans, animals, plasma, biotechnology, blood, horse, golden nica price
The performance May the Horse Live in Me is an attempt at “bioart” and extreme body art in which the animal foreign body, here the horse, is hybridized with the human body by means of an injection of horse blood (plasma). But far from being a fatal intrusion, such as that of the mythological hero Midas, said to have committed suicide by drinking bull’s blood, the idea is to carry out genuine therapeutic research, with the horse blood being made compatible and having a protective effect. For this purpose, Marion Laval-Jeantet has tried out different horse tissue immunoglobulins. The horse immunoglobulins recognize the targeted tissues and induce a functional regulation of these tissues that is specific to them. This ceremony of blood-brotherhood raises a debate on barriers between species and the supposed priority of human over animal concerning the earth’s resources. Will the animal be the future of the human?
Super Kingdom : Monarchy Jo Joelson,Bruce Gilchrist,Dugal McKinnon (London Fieldworks) 2010 biology, animals, architecture, environment, territory, displacement, urban, growth, conservation, population
SUPER KINGDOM can be viewed as a social engineering experiment for animals - a new community in the making referencing despot's palaces, gated community developments such as Alphaville in Brazil and the fortified exclusivity afforded to the wealthy and super-rich - all designed to keep urban reality at bay. CONTEXT Super Kingdom is a reference to both the utopian imaginary and biological taxonomic hierarchy and is a sculptural installation of animal 'show homes' in a woodland environment, based on the architecture of despot's palaces. It reflects both human and animal hierarchy as territorial relationship to landscape; is informed by changing habitat, the displacement of animals as a consequence of urban development and conservationist strategy, and global concerns about fluid populations and porous borders.