Results 1 - 21 of 21
Project Persons Year Tags
Annamaria Weldon Web Annamaria Weldon education, landscapes, workshops, photography, poetry, tradittion, writing, nature
Annamaria Weldon is a West Australian poet who also writes and publishes in other genres, and has done since her first feature article appeared in 1978. Working with words in different ways, she’s developed the writing practice which has sustained her for more than thirty years through changes of career, home life and location.
Blowup: Wild Things Several Authors (V2_) 2011 insects, communication, seminar, book, animals, design, art
The first edition of Blowup will examine art and design projects that are created with animals in mind as the end users and active participants – not people. This evening event will feature three leading practitioners discussing their work that is created for animals to appreciate and actively use. The speakers will address how their work can instill greater empathy for animals in us, and what they think the animals' experience of the art actually is.
Christa Sommerer & Laurent Mignonneau Web Page Christa Sommerer & Laurent Mignonneau 1992-2010 research, ecology, artificial life, human-machine interaction, video, 3D, language, society, nature, real-time interactive systems, web page, environment, self-organization, interactive, art, artists, genetics, biology, complexity, interaction, education, interface
Christa Sommerer& Laurent Mignonneau are two of the most renowned and innovative artists on the international media art and interactive art scene. In a natural and intuitive way, their work develops interactive interfaces that apply principles of the theory of living systems related to ecology, artificial life and the complexity science.
Extreme Green Guerrillas Michiko Nitta 2007 green guerrilla, migration systems, communication, food, euthanasia, community
We are forced to face the reality on a daily basis that environmental damage is more advanced than experts predicted. As global warming becomes the top of almost every government's agenda, recent trends have put pressure on world leaders to act immediately: for instance, forced recycling, carbon offsetting and a 10-year campaign to make environmentally friendly living fashionable. Are these efforts really improving the environment? are these activities saving the earth? what is eco-friendly living? when we live in a period where the worlds climate disaster is about to happen, how can we live the ultimate green lifestyle? The project takes current green trends to the extreme by proposing a community of people called "Extreme Green Guerrillas". This project fell into three design proposals, which explore their lifestyles and systems they use to enjoy their lives: Communication, Feast and Death.
Green WiFi Several Authors 2010 internet, wi-fi, solar power, solar energy, technology, open access, information
Green WiFi is committed to providing solar powered access to global information and educational resources for developing regions and K-12 school children striving for knowledge in a digitally divided world. There are approximately 3 billion people under the age of 15 living in developing nations. 42 percent of the developing world's population is below the age of 15. Green WiFi was founded on the principle that the welfare of our world is dependent, in large part, on providing these children with free and open access to the world's information.
Growth modelling device David Bowen 2009 growth, modellization, scanning, plottering, evolution, technology
This system uses lasers to scan an onion plant from one of three angles. As the plant is scanned a fuse deposition modeler in real-time creates a plastic model based on the information collected. The device repeats this process every twenty-four hours scanning from a different angle. After a new model is produced the system advances a conveyor approximately 17 inches so the cycle can repeat. The result is a series of plastic models illustrating the growth of the plant from three different angles.
Incubator Art Lab Jennifer Willet et al. (School of Visual Arts, The University of Windsor) 2009 lab, science, art, ecology, innovative production, performance, biotechnology, technology of the body, community, complexity
NCUBATOR Hybrid Laboratory at the Intersection of Art, Science and Ecology is a physical and theoretical hub, a new art/science laboratory at The University of Windsor. Founded in 2009 it functions both as an apparatus in which environmental conditions can be controlled towards the assisted proliferation of life, but also as a site that supports the proliferation of new ideas – new artistic practices. Physically and metaphorically INCUBATOR serves as site for innovative productive and performative imaginings of biotechnology as a technology of the body – a complex ecology – that implicates each of us intellectually and biologically in the continued propagation of the life sciences.
lumiBots Mey Lean Kronemann 2009-2011 robots, light, sensors, pheromone, organization, complexity, visualization, arduino
The lumiBots are small, autonomous robots that react to light. They can leave glowing traces which slowly fade away, so that older, darker trails are visible as well as newer, brighter ones. This way, generative images that consistently change are generated. They are appealing just for the glow effect, but also have a deeper meaning for the robots: They can follow the lines with their light sensors, and amplify them whilst preferring brighter (newer) and broader (more often used) trails.
My Forest Farm Dirk Fleischmann 2008 reforestatio, .plants, enironment, images, experiment, research, art, carbon, video, farm, exhibition
myforestfarm is a carbon offset program in the form of a reforestation project in partnership with Thomas Daquioag and Renato Habulan located in the mountains near Antipolo City, Philippines. We started to develop 17000 sqm of deforested land in June 2008. In the first stage 500 fruit trees were planted. In 2009 more than 1000 forest trees followed. The effectiveness of tree-planting offsets faces controversy, the logic of the carbon credit market questionable. myforestfarm is an experiment to research on these issues with an artistic approach.
Natural Resilience Catherine Verpoort (Textile Futures) 2012 project, design, resilience, biology, textiles, materials
The project is inspired by nature’s ability to process and conquer even artificial materials and surfaces in order to sustain and enforce itself. Nature’s immense strength and power is accompanied by an aesthetic that indicates a peaceful progression of time. The emergence of moss, fungi and plants, as well as their disappearing, brings life into the inanimate materials and objects. The project explores how we can design materials that respond to nature and its resilience.
Open Energy Fran Castillo ( Kitchen Budapest , Goteo) 2011 app, industry, energy saving, environment, sustainability, prototype, augmented reality, monitoring, power consumtion, open hardware, visualization, smart grid, project, energy, creative commons
Open Energy aims to develop a platform to explore new systems of visualization energy use and to optimize it accordingly, both in domestic and industrial environments. The system is built along two dimensions: first one, Energy Monitoring Device, which investigates open hardware devices in which monitoring power consumption, and a second dimension, Open Energy Visualization (Data Visualization / Augmented Reality App), which explores new ways of real-time visualization power consumption in domestic environments. These systems will allow us to amplify our knowledge about the dynamic behavior of energy anywhere. Open Energy is a prototype of energy infrastructure completely Open Source.
Open Energy Monitor Trystan Lea et al. 2009 open-source, energy, monitoring, industry, heat, sustainability, environment, energy consumption, visualization, data, arduino, diy, solar energy
Our technical vision is to create a fully open-source energy monitoring and control system that is suitable for domestic and industrial application. The current system contains the following modules: emonTx, emonBase, emonGLCD, emoncms and can be configured for the following applications: Home energy monitor PV system monitoring Heatpump monitoring Solar hot water monitoring Hot water tank monitoring Water consumption monitoring
Oxygen Curtain Mae Shaban (RAD: Responsive Architecture at Daniels) 2011 air refreshing, autonomy, organisms, environment, water, sensors, CO2, project, nutrients, algae, bioreactor, plant, carbon, oxygen, design
The curtain integrates an efficient organic living carbon sink into an interior space. The curtain produces an amount of oxygen equivalent to a mature broad leaved tree – it is a dramatically enhanced house plant. The curtain is composed of an array of algae bioreactors. A network of indoor air, power and nutrient supply lines weave the bioreactors into a single membrane. The nutrients are supplied by the building’s waste water. The curtain is nourished by the CO2 from the exhalation of the inhabitants. It is directly responsive to the users and the environment; each module operates autonomously and sensors activate select modules as appropriate to the changing levels of CO2 within a space. The modules then expand and contract with circulating air revealing a mechanic-organic organism that is continuously refreshing the air.
Perdita Phillips Web Perdita Phillips termites, landscapes, minerals, biology, art-science, drawing, photography, sculpture, soun d, environment, media installation, artist
Perdita Phillips is an Australian artist with a wide-ranging and experimental conceptual practice. She works in mixed media installation, environmental projects, sound, sculpture, photography and drawing. Whilst materially diverse, underlying themes of ecological processes and a commitment to a resensitisation to the physical environment, are apparent.
Pigeon d'Or Tuur Van Balen 2011 metabolism, city, urban, pigeons, biotechnology, environment, synthetic biology, bacteria, aestethics, design biology
The city is a vast and incredibly complex metabolism in which the human species is the tiniest of fractions; tiny and yet intrinsically linked into an organic embroidery beyond our understanding. It is within this complex fabric that (future) biotechnologies will end up. Pigeon d’Or proposes the use of feral pigeons as a platform and interface for synthetic biology in an urban environment by attempting to make a pigeon defecate soap. By modifying the metabolism of pigeons, synthetic biology allows us to add new functionality to what are commonly seen as “flying rats.” A special bacteria has been designed and created that, when fed to pigeons, turns feces into detergent and is as harmless to pigeons as yoghurt is to humans. Through the pursuit of manipulating pigeon excrement and designing appropriate architectural interfaces, the project explores the ethical, political, practical and aesthetic consequences of designing biology.
Point Cloud James Leng 2012 interactive, monitoring, meteorology, prediction, controll, interpret data, visualitzation, dynamic data, responsive environment, weather data, visualization, arduino
Created by James Leng, Point Cloud is an attempt to re-imagine our daily interaction with weather data. Even with the modern scientific and technological developments related to weather and when we can deploy sophisticated monitoring devices to document and observe weather, our analysis and understanding of meteorology is still largely approximate. Weather continues to surprise us and elude our best attempts to predict, control, and harness the various elements. Point Cloud builds on this premise, exploring new ways to interpret and understand weather data.
Prospero: Robot Farmer (Dorhout R&D) 2011 productivity, seeds, game theory, computerization, land, plants, genetics, technology, robot, farming, agriculture
Despite its quaint reputation, agriculture has always been an early adapter of technology. This is evident from the beginning of mechanization with the cotton gin, McCormick's Reaper, tractors, hybrid seed, to genetically engineered plants that protect themselves and grow in arid environments. Yields have grown quickly, but demand from developing countries and population growth are growing faster We know that we need to continue to find ways to increase the productivity of land on a per unit basis. Agriculture has started to add computerization and automation to the current machinery with things like GPS based precision farming systems that can autonomously drive tractors, monitor yield, and apply fertilizer. However, these aftermarket add-ons are built around the single most expensive and awkward part of the equipment. The person controlling the tractor. Prospero is the working prototype of an Autonomous Micro Planter (AMP) that uses a combination of swarm and game theory.
Protei Cesar Harada et al (V2_) 2011 environmentalism, open source, open hardware, drone, renewable energy, oil spills, gulf mexico
Protei is an oil spill cleaning machine. Protei is a family of unmanned robots (drone) that sails. It is articulated and some versions are inflatable. Oil drifts downwind, so Protei need to be able to sail upwind to capture more oil. Protei is an innovation using conventional technologies, it is therefore immediately possible to build it at a low cost with conventional materials. Protei is developed Open hardware, so everybody can use, modify and distribute our designs. Besides oil spill cleaning many other applications are envisoned for this revolutionary drone.
Searching for the Ubiquitous Genetically Engineered Machine Yashas Shetty,Mukund Thattai (ArtScienceBangalore) 2012 biology, life, living parts, soil, environment, synthetic biology, engineered products, ecology, lab, biotechnology
In Synthetic Biology, the Biobrick has been used as an abstraction or template for creating standardized functional living parts. Searching for UGEM is an alternate re-appropriations of the BioBrick by using existing BioBrick primers as random-PCR(Polymerase Chain Reaction) primers in investigating soil samples. This random PCR will provide a succinct signature of the biological diversity present in these samples. These investigations of soil lead us to ask questions about citizen’s science "performed" by non-institutional actors using accessible tools as well as gives us a glimpse into the "post-natural world" where BioBricks may end up in our environment and may very well show up as bands in a gel. By imagining a world in which the Biobrick has become the accepted standard for synthetic biology, and where these engineered products are ubiquitous in our lives and environments, the samples we archive will serve as the baseline from which the subsequent extent of human influence can be measured. These investigations are carried out in a custom built public research laboratory, the blueprints for making one are available online. These Autonomous Public Laboratories can be used as template for creating a citizen's research lab with which one can carry out "experiments"-biotechnological or otherwise.
The Body is a Big Place Peta Clancy,Helen Pynor 2012 transplantation, death, biology, bio-art, installation, sculpture, heart, organs, live
‘The Body is a Big Place’ explores organ transplantation and the ambiguous thresholds between life and death, revealing the process of death as an extended durational moment, rather than an event that occurs in a single moment in time. This bio-art work is a large-scale immersive installation comprising a 5-channel video projection, a fully functioning bio-sculptural heart perfusion system, an undulating aqueous soundscape, and a single channel video work. ‘The Body is a Big Place’ re-enacted certain defining aspects of the human heart transplant process. The heart perfusion device was used to reanimate to a beating state a pair of fresh pig hearts in 2 performances staged during the exhibition. Rather than sensationalising these performative events, the artists sought to encourage empathic responses from viewers, activating the bodies of viewers by appealing to their somatic senses and fostering their identification with the hearts they were watching. This opened up the possibility of a deeper awareness and connection with viewers’ own interiors.
X Clinic - the environmental health clinic + lab Nat Jeremijenko (NYU) 2007 art, lab, activism, environment, artist, research, sustainability, science, technology, clinic, design
The Environmental Health Clinic at NYU is a clinic and lab, modeled on other health clinics at universities. However the project approaches health from an understanding of its dependence on external local environments; rather than on the internal biology and genetic predispositions of an individual. The clinic works like this: you make an appointment, just like you would at a traditional health clinic, to talk about your particular environmental health concerns. What differs is that you walk out with a prescription not for pharmaceuticals but for actions: local data collection and urban interventions directed at understanding and improving your environmental health; plus referrals, not to medical specialists but to specific art, design and participatory projects, local environmental organizations and local government or civil society groups: organizations that can use the data and actions prescribed as legitimate forms of participation to promote social change.