Results 1 - 12 of 12
Project Persons Year Tags
CyberGarden v4 AltN Research+Design (EcoLogicStudio) 2011 antibiotics, digital, model, robotics, ecosystem, environment, bacteria, gardening, sensors, electronic medium, biology, information, project
CyberGarden is an ongoing research project developed by Ecologic Studio. This project represents the 4th iteration and exists as a multilayered, intelligent system that passes information between these layers via material, electronic and biological information. It utilizes a network of radiation sensors and connected to custom designed and programmed robotic arms and a parametric digital model. The physical prototype and digital model engage in a generative dialogue and co-evolve over the course of each exhibition. The petri dish components are made of translucent perspex and when added to the physical model cause a change in the lighting filed. This in turn will affect the digital plan and triggers the emergence of other gardening components to be designed, cut and added on.
Earth: Art of a changing world Several Authors (Royal Academy of Arts) 2009 environment, installation, artists, climate change, exhibition, art
Earth: Art of a changing world is the second annual contemporary art season at 6 Burlington Gardens. The exhibition presents new and recent work from more than 30 leading international contemporary artists, including commissions and new works from the best emerging talent. Supporter's statement: "This second year of GSK Contemporary is an important collaboration between GlaxoSmithKline and the Royal Academy that builds on our long-standing support for the arts in the UK. Creativity and innovation are critical to our business of improving health and well-being, so we want this year's topic 'Earth' to encourage debate, discussion and creative thinking and the role art can play on the relevance that climate change has on our daily lives."
Grower Sabrina Raaf, (Raaf) 2004 sensors, air, CO2, technology, ecology, data, plant, environment, visualization, robot, art
Translator II: Grower is a small 'rover' vehicle which navigates around the periphery of a room. It hugs the room’s walls and responds to the carbon dioxide levels in the air by actually drawing varying heights of 'grass' on the walls in green ink. The Grower robot senses the carbon dioxide (CO2) level in the air via a small digital CO2 sensor. This sensor is mounted high on a wall of the exhibition space and sends data wirelessly to the robot. The number of people in an exhibit space breathing in oxygen and exhaling CO2 has an immediate effect on the sensor. My robot takes a reading of the CO2 level every few seconds and in response it draws a vertical line in green ink on the wall. The line height pertains directly to the level of CO2 (and therefore also the people traffic) in the space. The more CO2, the higher the line is drawn - the maximum height being 1ft. Once Grower completes a line, it moves forward several millimeters and repeats the process.
Insect Robots Leonel Moura 2008 robotics, biology, aestethics, mechanics, sound, environment, insects, ai
Based on the BEAM robotics (Biology, Electronics, Aesthetics, Mechanics) the exhibition depicts a series of over 100 small autonomous robots with different morphologies and characteristics. A large installation shows 50 cricket-like small robots imprisoned in droplet glass shapes creating a kind of jungle sound environment. Other robots look like small trees or move around like insects. BEAM robotics is presented here as a new kind of (artificial) life.
Lost Highway Expedition Kyong Park (School of Missing Studies) 2006 project, mobility, exhibition, balkans, history, politics, urbanism, artarchitecture
A multitude of individuals, groups and institutions will form a massive intelligent swarm that would move roughly along the unfinished “Highway of Brotherhood and Unity” in the former Yugoslavia. The road was made in sixties in the massive voluntary campaign of the peoples of all nationalities that constituted Yugoslavia. The expedition is meant to generate new projects, new art works, new networks, new architecture and new politics based on experience and knowledge found along the highway. Projects developed from the expedition will lead to exhibitions, publications and symposia of “Europe Lost and Found” in Stuttgart and Ljubljana in 2007.
My Forest Farm Dirk Fleischmann 2008 reforestatio, .plants, enironment, images, experiment, research, art, carbon, video, farm, exhibition
myforestfarm is a carbon offset program in the form of a reforestation project in partnership with Thomas Daquioag and Renato Habulan located in the mountains near Antipolo City, Philippines. We started to develop 17000 sqm of deforested land in June 2008. In the first stage 500 fruit trees were planted. In 2009 more than 1000 forest trees followed. The effectiveness of tree-planting offsets faces controversy, the logic of the carbon credit market questionable. myforestfarm is an experiment to research on these issues with an artistic approach.
Radical - Nature Art and Architecture for a Changing Planet 1969–2009 Several Authors (Barbican) 2009 city, planet, urbanism, climate change, ecology, exhibition, artists, environment, design, architecture, nature, art
The beauty and wonder of nature have provided inspiration for artists and architects for centuries. Since the 1960s, the increasingly evident degradation of the natural world and the effects of climate change have brought a new urgency to their responses. Radical Nature is the first exhibition to bring together key figures across different generations who have created utopian works and inspiring solutions for our ever-changing planet. Radical Nature draws on ideas that have emerged out of Land Art, environmental activism, experimental architecture and utopianism. The exhibition is designed as one fantastical landscape, with each piece introducing into the gallery space a dramatic portion of nature. Work by pioneering figures such as the architectural collective Ant Farm and visionary architect Richard Buckminster Fuller, artists Joseph Beuys, Agnes Denes, Hans Haacke and Robert Smithson are shown alongside pieces by a younger generation of practitioners.
Surface Tension Several Authors (Science Gallery) 2011 water, future, artists, exhibition, natural resources, sustainability, environment, science, engineering, politics
The future of water is the subject of tension. Water is both disposable and sacred, a muse for artists and a necessity for life – a source of healing and of conflict. The Earth has abundant water, but only a very small proportion is available for human use. How should this be managed and sustained, and what would a water-scarce future look like? SURFACE TENSION brings together work by artists, designers, engineers and scientists to explore the future of water, playing on its physical properties, its role in politics and economics, and ways in which it may be harnessed, cleaned, and distributed.
SymbioticA Several Authors (The University of Western Australia) research, bio art, biology, biotechnology, design, education, laboratory, science, art
SymbioticA is the first research laboratory of its kind, enabling artists and researchers to engage in wet biology practices in a biological science department. It also hosts residents, workshops, exhibitions and symposiums. With an emphasis on experiential practice, SymbioticA encourages better understanding and articulation of cultural ideas around scientific knowledge and informed critique of the ethical and cultural issues of life manipulation. The Centre offers a new means of artistic inquiry where artists actively use the tools and technologies of science, not just to comment about them but also to explore their possibilities.
The Body is a Big Place Peta Clancy,Helen Pynor 2012 transplantation, death, biology, bio-art, installation, sculpture, heart, organs, live
‘The Body is a Big Place’ explores organ transplantation and the ambiguous thresholds between life and death, revealing the process of death as an extended durational moment, rather than an event that occurs in a single moment in time. This bio-art work is a large-scale immersive installation comprising a 5-channel video projection, a fully functioning bio-sculptural heart perfusion system, an undulating aqueous soundscape, and a single channel video work. ‘The Body is a Big Place’ re-enacted certain defining aspects of the human heart transplant process. The heart perfusion device was used to reanimate to a beating state a pair of fresh pig hearts in 2 performances staged during the exhibition. Rather than sensationalising these performative events, the artists sought to encourage empathic responses from viewers, activating the bodies of viewers by appealing to their somatic senses and fostering their identification with the hearts they were watching. This opened up the possibility of a deeper awareness and connection with viewers’ own interiors.
The Enteric Consciousness Ken Rinaldo 2010 technology, design, interactive, visualization, installation, robots, biology, organisms, culture, robotics, art
Enteric Consciousness 2010 is a large robotic tongue controlled by an artificial stomach filled with the living bacteria Lactobacillus Acidophulus. The artificial stomach in this installation controls and activates the robotic tongue. If the bacteria within the stomach is healthy and reproducing, then robotic tongue-chair senses the presence of the viewer/interactant reclines and delivers a deluxe 15 minute massage. When the interactant leaves the chair the robot tongue returns to an upright position. The Enteric Consciousness is a commission from the Maison d'Aillieur in Switzerland in 2010 for the Do Robots Dream of Spring retrospective exhibition.
The World in a Shell - the polliniferous project Hans Kalliwoda 2010 research, renewable energy, architecture, urban, community, sustainability, installation, autonomy, indigenous, green-design, pollution, environmentart
The World in a Shell, an ambitious work in progress by artist Hans Kalliwoda, brings together themes including art and science, communities and cultural heritage. The World in a Shell is a high-tech, self-sufficient container that functions as a mobile laboratory and living unit. The container can be folded out into a large shell-shaped construction in which exhibitions, presentations and workshops can be held. In collaboration with Delft University of Technology, Kalliwoda and his team have equipped the container with the very latest sustainable technologies. Solar energy, water recycling, and communication facilities ensure the container can function autonomously in every possible environment. The project is a model of sustainability and spreads the message that the most advanced technologies can be used without harming the environment or disturbing a community's way of life.