Results 1 - 18 of 18
Project Persons Year Tags
Alexandra Fede Alexandra Fede clothings, integrated microelectronics, designer, technological stylist, italian fashion, researcher, new esthetics, hi-tech applications, innovative fibres, haute couture, catwalk, garment, para-aramidic fibres, textile treatments, nanotechnologies, sports wear, work wear, accessories, collaborations
Alexandra Fede Fashion designer with Technology Transfer experience in all aspects of development and implementations in a garment.. Direct experience in Fashion shows or catwalk , public relation, communication, scientific journalist, fashion consulting and patent's inventor.
Bluescreen Viktor & Rolf 2002 catwalk, innovation, screen, haute couture, fashion, company, designer, brand, bright blue garments, reflective textile
Viktor & Rolf enigmatically named their collection "long live the immaterial." It was hard to decipher precisely what that meant since the collection was full of rather heavy materialsówool, pinstripes, fur, velvet, crochet. The designers' talent for earnest experimentalism with traditional elements was funneled into a single device this season; they highlighted all-black outfits with bits of vivid royal blue so that the epaulettes, collars, bib shirt fronts and belts popped out in radiant color.
Chanel Light Bulb Heels Karl Lagerfeld (Chanel) 2008 haute couture, light bulb, fashion, wearable, shoes, garments, luxury brand, expencive
The shoes are made out of goat skin sprinkled with sequin and the lightbulb heels can unscrew and are battery operated so they can be used over and over again. The shoes are a part of the Chanel Pre-Fall 2008 collection.
CO2rset Kristin O'Friel 2008 designer, artist, urbanist, environmentalist, everyday interactions, sustainable practices, physical interfaces, couture, CO2 levels, CO2 Sensors, Mini Gear Motors, Microcontroller, H-bridge, Cotton Fabric, Webbing, Boning, Grommets, Lacing, garment
CO2RSET is couture that monitors CO2 levels in the atmosphere and responds by tightening or loosening on the body.
Electric Fashion Design Kouji Hikawa next generation, fashion designer, product designer, wearable electronic fashion
Kouji is product designer and fashion designer, focused on next generation wearable electric fashion. He worked at Ricoh from 1966-2003 and has won numerous Competitions awards like the Bicycle , the Camera , Audio machine, the YKK Fastening Awards and Space couture Award in 2006. He started to lecture at the Bunka Woman's University in 2004.Kouji is interested in the commonness of the space suit and Global warming and attendance on old people.
emily crane Emily Crane beta textiles, bio wear, edible, artist
A new breed of designer who is pushing the boundaries of design through materials and process; growing, cultivating and forming new hybrid materials for fashion futures. Borrowing skills from molecular cooking, she is envisioning a future where fast fashion has to respond to a more sustainable future. Setting up a lab in her kitchen, she is growing and freezing bubbles to create a form of bio lace that is both wearable and edible. Micro-Nutrient Couture is a sensory world of transient fashion where no one but the individual will ever wear the same dress again.
Extreme Beauty: The Body Transformed Harold Koda 2001 clothing, accessories, body, anthropology, sociology, art, history, book, haute couture, body, beautiful
Throughout history, humans have used clothing and accessories to lift, squeeze, frame and pad the body. In Extreme Beauty: The Body Transformed, Harold Koda deftly weaves anthropology, sociology, art history, and haute couture into a lively survey of shifting notions of the body beautiful. Divided into five sections
Fashion and Imagination (ArtEZ Press) 2009 performance, design, garments, art, clothes, styling, haute couture, fashion, book, textiles, fabrics, style
Fashion and Imagination recounts in words and images fashionís exciting relationship with photography, film, visual art, performance art, architecture and literature.
Feeding the eye: essays Anne Hollander 1999 haute couture, film, fashion, fantasy, erotic, emotional, designers, dance, creative culture, couture, costume, corsets, clothes, Chanel, artistic, androgyny, aesthetic, actual, book, look, mode, modern, performance, photographs, social style
Since the advent of cinema, visual art has tended to be perceived as if it were in motion. Artists now create less often in fresco or carved stone and more on film and tape, on the dance stage, or in the ever changing, ever moving medium of clothes. In this remarkable collection, Anne Hollander ranges over art of the twentieth and other centuries with unusual depth of historical insight to explore these rich, diverse visual treasures and the underlying themes that connect them.
Hussein Chalayan Monography Caroline Evans, Suzy Menkes, Bradley Quinn 2005 book, hussein chalayan, haute couture, fashion designer, catwalk, artist
This book will be the first in-depth monograph on his work, celebrating Chalayan's tenth anniversary in fashion. It does not simply document the highlights from ten years of fashion design, but also includes his installations and video projects. Besides an essay on Chalayan's work by leading fashion critic Caroline Evans (author of Fashion at the Edge), other authors, including Suzy Menkes (fashion editor for the International Herald Tribune) and Bradley Quinn (author of Techno Fashion), shed light on his work from various angles and disciplines.
Rapture: Art's Seduction by Fashion Since 1970 Chris Townsend 2002 haute couture, advertising, mass media, soho, original, creative, young artists, images, vogue, kate moss, photography, book, designer, fashion, model, art, new mix
From Helmut Newton and Guy Bourdin's inspirational photography of the 1970s, through Kate Moss's recent collaborations with yBas and Nan Goldin for Vogue, to the use of reworked catwalk footage and mutilated magazine images by young artists, this crossover is fertile ground for the creative and the original. Whether covering an art installation in a SoHo boutique, Cindy Sherman's complicity with the tools of mass-media, a Keith Haring image advertising vodka, the use of street-art graffiti on a Louis Vuitton bag, or Tracey Emin as a Vivienne Westwood model, author Chris Townsend shows how the alluring, illusory faces of fashion and art are fused in the new mix.
The Fashion of Architecture Bradley Quinn 2003 book, fashion, architecture, haute couture, catwalk
The Fashion of Architecture is the first attempt to investigate the contemporary relationship between architecture and fashion in considerable depth, by examining the ideas, imagery, techniques and materials used by visionaries such as Martin Margiela, Issey Miyake, Alexander McQueen, Tadao Ando and Daniel Libeskind. As mavericks ranging from Hussein Chalayan and Rei Kawakubo to Rem Koolhaas and Zaha Hadid describe architectureís role in the formation of fashion identities, new readings of both areas emerge. Probing and far-reaching in its content, The Fashion of Architecture is the most comprehensive study of this exciting area to date.
Trasformer Fashion Show Hussein Chalayan 2007 sensor, clothes, textile, radical fashion, LED, fashion designer, wearable, visionary, haute couture
Hussein Chalayanís collection consist of dresses that automatically transformed in shape and style. Zippers closed, cloth gathered, and hemlines roseñall without human assistance. Beneath each modelís skirt was a computer system designed by the London-based engineering and concept-creation firm 2D3D.
Unravel @ siggraph 2006 tech, wearable, exhibition, show, fashion
Unravel: the SIGGRAPH2006 Fashion Show presents a runway show of innovative and experimental works in computational and conceptual couture, fashion with a social agenda, science-inspired form, and new technologies of material fabrication. Unravel brings together the work of designers and artists from the US, Canada, Europe, and Asia who are seeking to redefine the notion of ‘wearable.’ In the increasingly mobile nature of contemporary life, it has become important to contemplate how the devices we carry and the garments we wear converge into a ‘secondary skin’ which function as an extension of ourselves, in both ability and perception. By using fashion, a medium which has always been associated with self-expression and personal identity, these designers seek to demonstrate how the use (or misuse) of technology and its modes of production have the power to stimulate, delight, and inspire in ways as yet untapped in the fashion world. Gone are the stereotypical bulky cyborg devices; what emerged are garments of beauty, subtlety and elegance in form. Some bring to light important social issues — redefining our notions of personal space, networked environments, and issues of privacy and protection. Others relish in pure delight, reminding us how technology also has the power to enhance our personal relationships and celebrate fantasy and play as part of the human condition.
Wild: Fashion Untamed Andrew Bolton, Shannon Bell-Price (Contributor), Elyssa Schram Da Cruz 2004 Yohji Yamamoto, Thierry Mugler, Alexander McQueen, Jean Paul Gaultier, John Galliano for Christian Dior, Dolce and Gabbana, Roberto Cavalli, Azzedine AlaÔa, metropolitan of art, book, haute couture, catwalk
An extensive exploration of manís ongoing obsession with animalism as expressed through fashion. Since prehistoric times, furs and feathers have been used not only for warmth and protection but also for display and adornment. Offering lively insights into the decorative possibilities of pelts and plumes, WILD: Fashion Untamed examines furís ability to announce the wealth and status of the wearer by looking at the clothing of Renaissance aristocrats as well as that of contemporary Hip-Hop performers such as P. Diddy and Missy Elliott.
Willem de Kooning academie (Hogeschool Rotterdam) haute couture, ready to wear, fashion design, conceptualised collections, physical garments, design, academy, school, students, university, master
Alongside exclusive ëhaute coutureí, ready-to-wear commercial collections for larger or smaller target groups are nowadays becoming increasingly more important in fashion design. Ready-to-wear commercial collections enable consumer groups to communicate their own identities. In their work, fashion designers apply their creative and critical vision to reflect on current developments in their profession and in society at large.
WOW Gabrielle Hervey (World of Wearable Art Awards Show (WOW)) costume, art, wearable, catalogue, event, extravagant
The World of Wearable Art Awards Show is a series of six spectacular shows combining choreography, sound and light as a backdrop to the display of amazing garments. An international line-up of top artists and designers put their creations on show in this iconic event, introducing the latest in imaginative couture and accessories. Extraordinary lighting and special effects heighten the sense of drama in each of the two-hour shows. These theatrical experiences attract up-and-coming designers, celebrities, hosts of the fashion-conscious, and others wishing to witness the cutting edge of the wearable art scene.
Xtreme Fashion Courtenay Smith, Sean Topham 2005 Daniele Buetti, Alicia Framis, Vexed Generation, Freddie Robins, Moreno Ferrari, artists, designers, urban conditions, fashion starts, fashinating text, photos, environment, fashion world, book, Lucy Orta, Hussein Chalayan, clothing, human body
In Xtreme Fashion authors Courtenay Smith and Sean Topham turn their attention to the fashion world, where haute couture is taking a backseat to serious concerns about the environment, personal safety, and privacy. Featuring more than 300 color photos and fascinating text, the authors show how real fashion starts on the streets, born of urban conditions from gang culture to teenybopper worship. They showcase the works of designers, artists, and other creative individuals such as Moreno Ferrari, Freddie Robins, Vexed Generation, Alicia Framis, Daniele Buetti, Lucy Orta, and Hussein Chalayan to illustrate the demand for clothing that can protect, extend, alter, mark or mask the human body.