V2_ Knowledgebase

3lectromode is a Montreal-based fashion-tech studio invested in developing wearables combining cutting-edge technology with current fashion trends. The 3lectromode platform has created a series of market-ready interactive fashion products such as LED-embedded dresses and bags which are sold as kits of ready-mades. 3lectromode continues to research within the field of wearable technologies to bring you the most aesthetic, democratized and performative fashion tech.

This project explores the nature of space and place and will examine the concept of a bodily connection with the land through sketch prototyping of stretch sensors in sculptural textile forms. The resulting series of woven pieces for the body will be remotely connected to three-dimensional forms in the Scottish landscape, combining information from each to create unique low frequency feedback to be experienced by the wearer. this project is a collaboration between many people from different disciplines, most of them working at Nottingham Trent University.

This revolutionary product, available only from Micro-Coax, combines the conductivity of an outer metal coating with the strength, light weight and flexibility of aramid fibers. ARACON fibers are based on the same technology that created DuPont KEVLAR, well known for its use in bullet-resistant vests, high-speed boats and military helmets. With the addition of nickel, copper and silver coatings of varying thicknesses, ARACON fibers provide a versatile combination of physical and electrical properties for a variety of demanding applications.

by-wire.net loves to expand innovative fashion by sharing knowledge. It will continue researching and collaboration projects. As freelance intermediary Marina Toeters works for fashion and technical companies; creates concepts, presentations, brainstorm sessions and garments for example for technical companies which are looking for new application for their materials or advises designers interested in process innovation.

Claudy Jongstra (born 1963) designs and produces unique felt fabrics for interiors. She works together with architects and clients around the world to create unique pieces for specific spaces and purposes. Each Claudy Jongstra design is a one-of-a-kind object of contemporary design, partly handmade and incorporating traditional craft techniques and innovative skills. Thanks to her innovative technique, Claudy Jongstra designs can be produced in any format and in any colour. The result can be used as a wall hanging, adhered directly to a wall, or it can be used to cover other surfaces, as a tapestry, or as a fabric, for example, to cover space dividers.

The blend of thought and practice that the CREATE conference wants to encourage was nicely summed up recently by interaction designer, Jack Schulze: "No one cares about what you think, unless you do what you think. No one cares what you do, unless you think about what you do." Our past conferences have been well received for providing a friendly and informal setting where networking, discussion and practical work are high on the agenda.

This website, entitled Cyberfibres, is a searchable online database of Australian fashion and textile design created by a team led by Kaye Ashton for the Frances Burke Textile Resource Centre and the RMIT University School of Fashion and Textiles in Melbourne Australia. The website contains a brief history of the Cyberfibres project, its content, origins and how to use it. The database can be searched by keyword, by a structured search facility including Date and Role functions, or can be browsed alphabetically. Entries in the database are varied, and may contain biographical information, images, articles, archive and resource location and repository details, lists of published resources, links to relevant entries in the database, and links to other online resources.

A new breed of designer who is pushing the boundaries of design through materials and process; growing, cultivating and forming new hybrid materials for fashion futures. Borrowing skills from molecular cooking, she is envisioning a future where fast fashion has to respond to a more sustainable future. Setting up a lab in her kitchen, she is growing and freezing bubbles to create a form of bio lace that is both wearable and edible. Micro-Nutrient Couture is a sensory world of transient fashion where no one but the individual will ever wear the same dress again.

Erich Berger is a master of the obscure interface. With an engineering degree in communications and a Master degree in philosophy, it should perhaps not come as a surprise that Berger is interested in paradox. His fascination for mathematical structures is obvious in his visual language, consisting of the formal patterns of squares, lines and rectangles. No attempt is made to create an organic quality, the shapes are pure abstraction.

Thesis: This thesis consists of a series of extensive projects which aim to explore a new designer role for fashion. It is a role that experiments with how fashion can be reverse engineered, hacked, tuned and shared among many participants as a form of social activism. This social design practice can be called the hacktivism of fashion. It is an engaged and collective process of enablement, creative resistance and DIY practice, where a community share methods and experiences on how to expand action spaces and develop new forms of craftsmanship. In this practice, the designer engages participants to reform fashion from a phenomenon of dictations and anxiety to a collective experience of empowerment, in other words, to make them become fashion-able. As its point of departure, the research takes the practice of hands-on exploration in the DIY upcycling of clothes through “open source” fashion “cookbooks”. By means of hands-on processes, the projects endeavour to create a complementary understanding of the modes of production within the field of fashion design. The artistic research projects have ranged from DIY-kits released at an international fashion week, fashion experiments in galleries, collaborative “hacking” at a shoe factory, engaged design at a rehabilitation centre as well as combined efforts with established fashion brands. Using parallels from hacking, heresy, fan fiction, small change and professional-amateurs, the thesis builds a non-linear framework by which the reader can draw diagonal interpretations through the artistic research projects presented. By means of this alternative reading new understandings may emerge that can expand the action spaces available for fashion design. This approach is not about subverting fashion as much as hacking and tuning it, and making its sub-routines run in new ways, or in other words, bending the current while still keeping the power on.

This scarf is knit with the Fibonacci number pattern. Famous in the mathematics world, the Fibonacci number pattern is created by adding a number to the previous number: 0,1, 1, 2, 3, 5, 8, 13, 21, 34… (2 comes from adding 1 + 1, 3 comes from adding 2 + 1). This is no ordinary number sequence. The Fibonacci number patterns are found in nature in the seed placement of a sunflower, the pattern on a pine cone, and the uncurling of a fern. The number pattern creates a golden spiral and is used in financial predictions and for computer algorithms. This scarf is knit with the Fibonacci numbers in order: 1, 1, 2, 3, 5, 8, 13, and 21. As the scarf is knit, the new number of stitches is added to the previous number of stitches to get the next number of stitches. Thus the knitting method is also influence by the Fibonacci formula.

Diana Eng, in collaboration with Emily Albinski, created this gorgeous dress way back in 2003, which ended up making its way on the cover of ID Magazine. The designers used this project to explore how they could use electronics to change the shape and color of a gown. The dress inflates to allow you to change itís shape. Pump up the back or the sides to change its silhouette. The designers made no attempt to hide the electronics, rather, they exposed the spaghetti-ball of wires and components as the main aesthetic.

At International Fashion Machines (IFM), we believe that high tech doesn't have to be hard-edged. Functional doesn't have to be impersonal. And lighting your room doesn't have to be mundane. We combine exceptional contemporary design with the latest in electronic textile technology to create products that soften and enliven your experience with every day items.

Concept born with a combinations of two products, for create a new kind of product. The jeans have all the important computer stuff (like a mouse, keyboard and the speakers) in it. You didnít have to be stiff behind your screen, but you can move in any position you want because the keyboard would be in the same place.

Locast is a flexible and cutting-edge location-based platform that combines distributed Web and Mobile applications that create hyperlocal and highly-connected experiences. Locast superimposes layers of collectively generated information within the physical space. This augmentation of urban space is democratically operated by Locast users, in real time, as they participate in the content-generation process.