V2_ Knowledgebase

This collection is made of a polyester taffett‡ panel and its coordinated cushion both avaiable in three colours. The bright part is at the bottom of the panel and the traditional fabrics match with the luminous fabrics giving particular light effect.

An academic treatise that's beautiful enough to be a coffee table book, Evans's study argues that during the 1990s avant garde fashion was "permeated by images of death, disease and dereliction." Evans consciously focuses her work on one thread of the fashion world: the edgy costumes of designers like Vivienne Westwood, Alexander McQueen, John Galliano, Hussein Chalayan and Viktor & Rolf. Theoretically, however, she recognizes no boundaries: her treatise incorporates the disparate works of Walter Benjamin, Charles Baudelaire, T.S. Eliot, Karl Marx, Elizabeth Wilson, Simone de Beauvoir and many, many others. The result is a complex and provocative text, one that displays both the substantial intellect and practical curiosity of its author.

We are an organization working to make Sweden into the world leader in the development of products and services in the technology area of Broadband and Fiber optic sensors. This technology is the foundation for virtually all modern information technology and is a dynamic and rapidly growing industry. The organization also has developed an expertise in the area of innovative leadership and gender management. Our core business is to assist the growth of local and global companies. This is achieved through our unique support in the form of research, training, financing, contacts and business development combined with and equally unique test environment for technical tests and behavioral science studies.

In Making is Connecting, David Gauntlett argues that through making things, people engage with the world and create connections with each other. Both online and offline, we see that people want to make their mark on the world, and to make connections. During the previous century, the production of culture became dominated by professional elite producers. But today, a vast array of people are making and sharing their own ideas, videos, and other creative material online, as well as engaging in real-world crafts, art projects, and hands-on experiences. Gauntlett argues that we are seeing a shift from a 'sit-back-and-be-told culture' to a 'making-and-doing culture'. People are rejecting traditional teaching and television, and making their own learning and entertainment instead. Drawing on evidence from psychology, politics, philosophy, and economics, he shows how this shift is necessary and essential for the happiness and survival of modern societies.

Modern protective clothing needs to meet a variety of multifunctional requirements and offer a very high level of protection as well as remarkable comfort and wearability, influencing the wearerís physical performance which puts it far beyond usual definitions of comfort. The demand for multifunctional properties makes it necessary to develop and improve fibre and textile materials and structures (suits, uniforms, Ö). Introduction of nanotechnology and the use of a variety of (wearable) sensors / embedded electronics and processors turn traditional protection into a value added market posing ever increasing challenges to researchers and engineers at universities, institutes and industry. Design and manufacturing of sophisticated interactive protective textiles and clothing, meeting very tight specifications, has to be done taking into account cost-effectiveness, environmental issues and even the need to be applied to military as well as civil purposes.

The Russian-born artist Sonia Delaunay, who with her husband, Robert Delaunay, was a leading light of the Cubist splinter group Orphism, branched out after the First World War into a distinctive career of her own. Between 1920 and 1930, a decade full of activity and success, she produced some of the most striking and original fabric designs of modern times. She was the inventor of abstract design for fabrics, and her materials--brightly colored and filled with geometric patterns--were the rage among fashionable circles in the Art Deco era. Delaunay made imaginative waistcoats for Tristan Tzara, Louis Aragon, Ren Crevel, and other Surrealist poets.

Transcending superficial concerns of mere stylishness, The Supermodern Wardrobe addresses the real needs of men and women navigating the urban landscape. Air pollution, physical assault, extreme temperatures, space restrictions: by utilizing multifunctional fabrics and technologically equipped textiles, innovative designers like CP Company, Samsonite, Kosuke Tsumura, and Vexed Generation respond to such contemporary challenges. Whether it's a bulletproof parka inspired by riot gear, a jeans jacket wired for an MP3 player, or a dress that turns into a travel pillow, the clothes are so pragmatic, they're revolutionary.