Results 1 - 18 of 18
Project Persons Year Tags
CircuitWriter (Caig Laboratories) buy, shop, silver, writer, circuit, paint, ink, conductive
Apply instant traces on most surfaces (epoxy, glass, plastic, metal). Draw traces on circuit boards, repair defective traces, make jumpers and shield electronics, design prototype circuits and repair rear-window heater traces.
Claudy Jongstra Claudy Jongstra innovative technique, craft, handmade, contemporary design, interior design, felt fabrics, design, tapestry, fabric
Claudy Jongstra (born 1963) designs and produces unique felt fabrics for interiors. She works together with architects and clients around the world to create unique pieces for specific spaces and purposes. Each Claudy Jongstra design is a one-of-a-kind object of contemporary design, partly handmade and incorporating traditional craft techniques and innovative skills. Thanks to her innovative technique, Claudy Jongstra designs can be produced in any format and in any colour. The result can be used as a wall hanging, adhered directly to a wall, or it can be used to cover other surfaces, as a tapestry, or as a fabric, for example, to cover space dividers.
FIT-Fashion Istitute of Technology NY (State University of New York) internship, innovations, textile/surface design, business, communications, art, fashion, college for design, master, university, school, collaborations, exibithions, fashion design degree
Internationally recognized college for design, fashion, art, communications, and business.
Jacket (Nyx Clothing) garment, computer controlled, wearable technology, style, fashion, jackets, apparel, clothing, LED, collaborations, performance, fun-loving experience, flexible panels, clubber, entertainent, sales representative, sound processor
Nyx Illuminated Clothing was founded in 2001 in Los Angeles, California USA. It now markets and sells illuminated clothing worldwide through this web-site www.nyxit.com and national representatives.Nyx jackets are the most jaw-dropping, fun-loving experience you are ever likely to have with an item of clothing. Ok, except for maybe lingerie. These jackets are internally wired with bright lights arranged on fully flexible panels that allow for text and graphics to dance across the surface of the garment, all computer controlled within the jacket. All you have to do is switch it on.
Loop.pH Rachel Wingfield (Loop.pH) collaboration, creative, surface, research
Loop.pH is a multi-disciplinary creative collaboration, who create and develop new surfaces & structures, conduct an extensive range of research activities and collaborate with industry.
Marktek (Marktek Inc) 1994 high-quality, EMI shielding, high-tech, fibers, company, radar absorptive materials, conductive resistive materials, shop online, fabrics, felts, fillers, meshes, gaskets, tape, textile
Marktek's specialty materials include a broad variety of high-quality conductive, resistive, and microwave-absorptive fabrics, fibers, foams, felts, fillers, meshes, gaskets and tape. Marktek Inc. carries fabrics that possess surface resistivities ranging from
Medulla Intimata Tina Gonsalves, Tom Donaldson 2004 public intervention, ewellery, fashion, performance, bio-metrics, technology, moving image
MEDULLA INTIMATA is a hybrid new media work mixing public intervention with jewellery, fashion, performance, bio-metrics, technology and moving image. It is a collaboration between award winning Australian video and installation artist Tina Gonsalves , and London based artist/engineer, Tom Donaldson. MEDULLA INTIMATA is a necklace that contains a video screen and biometric sensors. The sensors (using analysis of speech and tonal range of conversaton) monitor the wearer's emotions to guide real-time video-generation that evokes a sense of seeing beneath the surface of the skin, exposing the emotional and physical inner body. Video is displayed on the screen embedded in the jewellery.
No-Contact Jacket Adam Whiton, Yolita Nugent 2006 pain, high voltage, exo-electric, electic current pulses, 80.000 volts, activated by the wearer, protection from violence, women, jacket, garment, non-lethal, critical life saving
The No-Contact Jacket is a wearable defensive jacket created to aid women in their struggle for protection from violence. When activated by the wearer, 80,000 volts of low amperage electric current pulses just below the surface shell of the entire jacket. This exo-electric armor prevents any person from unauthorized contact with the wearer's body. If an assailant were to grab hold of the wearer the high voltage exterior would interrupt their neurological impulses which control voluntary muscle movement. The neuromuscular system would be overwhelmed causing disorientation and loss of balance to occur and of course pain. The pain experienced is non-lethal but is enough to effectively and immediately deter contact with the wearer and provide a critical life saving oppurtunity for escape.
Piezing Dress, Muk Luk Flux Amanda Parkes 2008 mechanisms for working prototypes of Tangible User Interfaces, electronics, developing software, Human-Computer Interaction, journals, conferences, mechanical engineering, electrical engineering, computer programming, students, hard-working, technically competent, creative, interactions, digital information, surfaces, physical objects, designing human interfaces, Tangible Bits vision, electrical /mechanical engineering skills, design aesthetics, installations, video performance, wearable technology, creativity
-Amanda Parkes' Piezing generates power using the natural gestures of the human body in motion. Around the joints of the elbows and hips of the garment is piezoelectric material that generates electricity in response to applied mechanical stress. The electricity is then stored as voltage in a centralized small battery and later can be discharged for use. - Muk Lux Flux boots change shape depending on the speed and motion of the wearer.
re: skin Mary Flanagan 2002 skin, book, publication, body, technology, vision
In re: skin, scholars, essayists and short story writers offer their perspectives on skin's boundary and surface, as metaphor and physical reality. The twenty-first century and its attendant technology call for a new investigation of the intersection of body, skin, and technology. These cutting-edge writings address themes of skin and bodily transformation in an era in which we are able not only to modify our own skins by plastic surgery, tattooing, skin graft art, and other methods but to cross skins, merging with other bodies or colonizing multiple bodies.
Skin: Surface, Substance, and Design Ellen Lupton 2002 designers, contemporary world, artificial life, media, art, architecture, fashion, furniture, design, book, objects, garmentsm, buildings
Every object has a skin. Thick or thin, smooth or rough, porous or impermeable, the skin is the line between the hidden inside and the outside we experience. Skin: Surface, Substance, and Design presents products, furniture, fashion, architecture, and media that are expanding the limits of what we understand as surface. Reflecting the convergence of natural and artificial life, this provocative and stimulating book shows how enhanced and simulated skins appear everywhere in our contemporary world. Designers today manipulate the relationship between the inside and outside of objects, garments, and buildings, creating skins that both reveal and conceal, skins that have depth and complexity as well as their own behaviors and identities.
Studio subTela Barbara Layne (Hexagram Institute) institute, research, visual art, engineering, intelligent clothing, smart fabrics
Barbara Layne is the Director of Studio subTela at the Hexagram Institute where she works with a team of graduate students from Visual Arts and Engineering at Concordia University and a variety of international collaborators. The Studio is focused on the development of intelligent cloth structures for the creation of artistic, performative and functional textiles. Natural materials are woven in alongside microcomputers and sensors to create surfaces that are receptive and responsive to external stimuli. Controllable arrays of Light Emitting Diodes present changing patterns and texts through the structure of cloth. Wireless transmission systems have also been developed to support real time communication. In both wearable systems and site related installations, textiles are used to address the social dynamic of fabric and human interaction.
Sun Dry Swim (Sun Dry Technologies) UV, nano technology, skin, fabric
Sun Dry Swim fabrics have been treated using a range of proprietary methods with a nanotechnology process that is inert, UV stable, and completely harmless to skin. This guarantees that you won't end up with rashes or be allergic to it, as the non-toxic nanotechnology treatment is water based and environmentally friendly. With an invisible nanotechnology mesh around each fabric fiber, you will find yourself wearing a permanent water repelling material without interfering with the fabric weave. This also makes it a whole lot easier to clean, while the breathable material itself is protected surface with water resistant properties.
Textile/Surface Design Course Zane Berzina (Weissensee Kunsthochschule) masters, bachelor course, textile and surface design, course, students, art
The course Texile and Surface Design is divided into a four-year Bachelor course and a one-year Masters. The Bachelor course begins with a one-year interdisciplinary arts foundation course completed together with students from other courses.
TITV (TITV Greiz) test centre, technical labs, new applications, innovative textile products, interdisciplinary cooperation, textile research, partner for research, flexible materials, special textile, institute, Textile Microsystems Technique/Smart Textiles, info centre, functional surfaces, sport & wellness applications
As a close-to-market research organisation, the TITV Greiz is your partner for research, development, service, consulting, testing and professional training along the textile value chain. More than 50 employees develop high-tech solutions with the classic textile technology as the basis for new materials. The successful interdisciplinary cooperation with non-textile branches becomes more and more important for our institute. Especially the combination of electronics and textiles creates innovative textile products for completely new applications.
Voiceprints Pierre Proske interactive, audio, visual installation, print, textile, pattern
VOICEPRINTS is an interactive audio visual installation. A person speaks into a microphone, their voice is analysed for frequency content, and then a number of small similar textile patterns are re-arranged in an abstract representation of the personĂ­s vocal frequency print. These patterns are either projected onto a surface or displayed on a large screen and eventually turn translucent and then fade away. The person's voice becomes a playful and intuitive interface to the visual display.
XS labs Joanna Berzowska (XS labs) lab, innovation, electronic textiles, reactive garments, interactions, design research studio, complex textile-based surfaces, transitive properties
Joanna Berzowska's XS Labs is a design research studio with a focus on innovation in the fields of electronic textiles and reactive garments: "second skins" that can enable computationally-mediated interactions with the environment and the individual. We are equally inspired by the technical and cultural history of how textiles have been made for generations (weaving, stitching, embroidery, knitting, beading, quilting) and by new and emerging materials with different electro-mechanical properties. This enables us to construct complex textile-based surfaces, substrates, and structures with "transitive" properties.
XYinteraction-Textile Interface Maurin Donneaud, Vincent Roudaut flexibility, texture, size, choreographic movements, playing electronic music, tactile interface, interactive textile, trasparency, body, musical interpretation
The XY interactive textile is a large tactile interface for playing electronic music. The performer plays it simply by the movement of his/her hand on it's surface. This textile interface allows users to compose and interpret electronic music by choreographic movements. By its size, its texture, its flexibility and its transparency, this textile interface involves the whole body in the musical interpretation.